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The Old Country Where Rimbaud Died (French: Le Vieux pays où Rimbaud est mort) is a 1977 French-Canadian feature from Jean Pierre Lefebvre.The second film in his Abel Gagné trilogy, preceded by Don't Let It Kill You (Il ne faut pas mourir pour ça) in 1967 and followed by Now or Never (Aujourd'hui ou jamais) in 1998, [1] the film follows Abel (Marcel Sabourin) on a journey to France to visit ...
A Season in Hell (French: Une saison en enfer, Italian: Una stagione all'inferno) is a 1971 French-Italian drama film directed by Nelo Risi. [1] The film tells the life and death of the poet Arthur Rimbaud and his troubled relationship with the poet Paul Verlaine until the African adventure in Ethiopia. [2]
Total Eclipse is a 1995 erotic historical drama film directed by Agnieszka Holland, [3] based on a 1967 play by Christopher Hampton, who also wrote the screenplay.Based on letters and poems, it presents a historically accurate account of the relationship between 19th-century French poets Arthur Rimbaud (Leonardo DiCaprio) and Paul Verlaine (David Thewlis). [4]
1776 (1972) – historical musical drama film depicting a fictionalized account of the events leading up to the signing of the Declaration of Independence [72]; Aguirre, the Wrath of God (German: Aguirre, der Zorn Gottes) (1972) – West German-Mexican-Peruvian epic historical drama film about Spanish soldier Lope de Aguirre, who lead a group of conquistadores down the Amazon River in South ...
The Diary of Ellen Rimbauer is a 2003 American television film directed by Craig R. Baxley, and starring Lisa Brenner, Steven Brand, and Tsidii Le Loka.It is a prequel to the miniseries Rose Red (2002), and is based on the 2001 novel by Ridley Pearson, which itself is an accompaniment piece to the miniseries.
During this time he made a feature-length semi-documentary about the poet Arthur Rimbaud for French TV, Voyage au Pays de Rimbaud in 1983. It was shown at the 1983 Venice Film Festival and at the 1983 London Film Festival. [5] In 1985, Mehrjui and his family returned to Iran and Mehrjui resumed his film career under the new regime. [5]
The film holds a 61% on Rotten Tomatoes based on 56 reviews, with the critical consensus: "A charming piece of work with believable characters." [2] Reviewing for the Chicago Sun-Times in July 1999, Roger Ebert called it "a sweet, lighthearted comedy" and applauded Famuyiwa for capturing members of the cinematically marginalized African-American middle class.
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