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Among modern poems, traditionalist haiku continue to use the 5-7-5 pattern while free form haiku do not. [12] However, one of the examples below illustrates that traditional haiku masters were not always constrained by the 5-7-5 pattern either. The free form haiku was advocated for by Ogiwara Seisensui and his disciples.
(The ten haiku featured in the story were written by Bishop and Geoffrey A. Landis). The most extensive use of haiku in science fiction is in David Brin 's Uplift Universe (especially in the novel Startide Rising ), where the uplifted dolphins speak a haiku-like language called Trinary .
A story generator or plot generator is a tool that generates basic narratives or plot ideas. The generator could be in the form of a computer program, a chart with multiple columns, a book composed of panels that flip independently of one another, or a set of several adjacent reels that spin independently of one another, allowing a user to select elements of a narrative plot.
Storyland is a browser-based narrative work of electronic literature.The project is included in the first Electronic Literature Collection. [1] It was created by Nanette Wylde in 2000 and is considered a form of Combinatory Narrative or Generative Poetry which is created with the use of the computer's random function.
A haiku in English is an English-language poem written in a form or style inspired by Japanese haiku.Like their Japanese counterpart, haiku in English are typically short poems and often reference the seasons, but the degree to which haiku in English implement specific elements of Japanese haiku, such as the arranging of 17 phonetic units (either syllables or the Japanese on) in a 5–7–5 ...
Rather than using a fixed scripting language, Twine supports the use of different "story formats". In Twine 1, these mostly affected how a story was displayed rather than how it was written, but Twine 2 story formats combine style, semantic rules and markup conventions and are described as "dialects" of the Twine language. [ 7 ]
This is a list of kigo, which are words or phrases that are associated with a particular season in Japanese poetry.They provide an economy of expression that is especially valuable in the very short haiku, as well as the longer linked-verse forms renku and renga, to indicate the season referenced in the poem or stanza.
Jim Kacian in Kumamoto, Japan, in mid-September 2007, while reading his haiku for a film in development by Slovenian filmmaker Dimitar Anakiev.. James Michael Kacian (born July 26, 1953) [1] is an American haiku poet, editor, translator, publisher, organizer, filmmaker, public speaker, and theorist.