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  2. Radiotelephony procedure - Wikipedia

    en.wikipedia.org/wiki/Radiotelephony_procedure

    Do keep correct distance between lips and microphone. If the distance is too great, speech is inaudible and background noises creep in; if too small, blaring and blasting result. Do shield your microphone. Turn your head away from noise generating sources while transmitting. Do keep the volume of a hand set earphone low.

  3. Pop filter - Wikipedia

    en.wikipedia.org/wiki/Pop_filter

    A pop filter, pop shield or pop screen is a noise protection filter for microphones, typically used in a recording studio. It serves to reduce or eliminate popping sounds caused by the mechanical impact of fast-moving air on the microphone from plosives during recorded speech and singing.

  4. Microphone practice - Wikipedia

    en.wikipedia.org/wiki/Microphone_practice

    At a distance of about 50 cm (0.5 m) the time delay for a signal reaching first one and then the other microphone from the side is approximately 1.5 ms (1 to 2 ms). If the distance is increased between the microphones it effectively decreases the pickup angle.

  5. Microphone - Wikipedia

    en.wikipedia.org/wiki/Microphone

    The condenser microphone, invented at Western Electric in 1916 by E. C. Wente, [22] is also called a capacitor microphone or electrostatic microphone—capacitors were historically called condensers. The diaphragm acts as one plate of a capacitor, and audio vibrations produce changes in the distance between the plates.

  6. Wireless microphone - Wikipedia

    en.wikipedia.org/wiki/Wireless_microphone

    A wireless microphone, or cordless microphone, is a microphone without a physical cable connecting it directly to the sound recording or amplifying equipment with which it is associated. Also known as a radio microphone , it has a small, battery-powered radio transmitter in the microphone body, which transmits the audio signal from the ...

  7. NOS stereo technique - Wikipedia

    en.wikipedia.org/wiki/NOS_stereo_technique

    With this technique is the angle between the microphone axes α = ± 55° = 110° and the distance between the cardioid microphones (microphone basis) is in this case a = 17 cm and gives a total recording angle of 96°. The choice between one and the other depends on the recording angle of the microphone system and not on the distance to and ...

  8. Lip-ribbon microphone - Wikipedia

    en.wikipedia.org/wiki/Lip-ribbon_microphone

    However, increasing the distance between the source and microphone levels the frequency response, and will decrease the noise of ambient sound by the same level. [2] As a result of this, many lip-ribbon microphones use a fixed mouth guard to ensure a distance of 54 millimetres (2.1 in) between source and microphone.

  9. Lavalier microphone - Wikipedia

    en.wikipedia.org/wiki/Lavalier_microphone

    The term referred to any small microphone that could be hooked into the buttonhole of the lapel of a coat. The lapel microphone offered freedom of movement. [2] An early use of the microphone supported by a strap around the neck: telephone operator. The term lavalier originally referred to jewelry in the form of a pendant worn around the neck ...