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He says that the beautiful in nature is not quantifiable, but rather focused only in color, form, surface, etc. of an object. Therefore, the beautiful is to be "regarded as a presentation of an indeterminate concept of understanding." However, to Kant, the sublime is more infinite and can be found even in an object that has no form.
A view of the Roman Campagna from Tivoli, evening by Claude Lorrain, 1644–1645. Picturesque is an aesthetic ideal introduced into English cultural debate in 1782 by William Gilpin in Observations on the River Wye, and Several Parts of South Wales, etc. Relative Chiefly to Picturesque Beauty; made in the Summer of the Year 1770, a practical book which instructed England's leisured travellers ...
The Romantic movement in English literature of the early 19th century has its roots in 18th-century poetry, the Gothic novel and the novel of sensibility. [6] [7] This includes the pre-Romantic graveyard poets from the 1740s, whose works are characterized by gloomy meditations on mortality, "skulls and coffins, epitaphs and worms". [8]
31. “Time’s the thief of memory.” — Stephen King 32. “Collect beautiful moments, not things.” — Unknown 33. “Take the time to make memories today, for tomorrow is never promised.”
The Funeral of Shelley by Louis Edouard Fournier (1889); the group members, from left to right, are Trelawny, Hunt and Byron. Romantic poetry is the poetry of the Romantic era, an artistic, literary, musical and intellectual movement that originated in Europe towards the end of the 18th century.
Sappho 16 is a fragment of a poem by the archaic Greek lyric poet Sappho. [a] It is from Book I of the Alexandrian edition of Sappho's poetry, and is known from a second-century papyrus discovered at Oxyrhynchus in Egypt at the beginning of the twentieth century.
English literature is literature written in the English language from the English-speaking world. The English language has developed over more than 1,400 years. [ 1 ] The earliest forms of English, a set of Anglo-Frisian dialects brought to Great Britain by Anglo-Saxon settlers in the fifth century, are called Old English .
In a review of contemporary criticism of "Ode to a Nightingale" in 1998, James O'Rouke claimed that "To judge from the volume, the variety, and the polemical force of the modern critical responses engendered, there have been few moments in English poetic history as baffling as Keats's repetition of the word 'forlorn'". [42]