Search results
Results from the WOW.Com Content Network
Download as PDF; Printable version; In other projects ... move to sidebar hide. Help. Musicals in which recitative takes the place of spoken dialogue for all or most ...
The Black Crook was a long-running musical on Broadway in 1866. [1]Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance.. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated who
A sung-through stage musical, musical film, opera, or other work of performance art is one in which songs entirely or almost entirely replace any spoken dialogue. Conversations, speeches, and musings are communicated musically, for example through a combination of recitative, aria, and arioso.
Occasionally used for operas outside specific, standard genres. 2. 19th/20th century: an opéra is a "French lyric stage work sung throughout" [17] in contrast to an opéra comique that mixed singing with spoken dialogue. Opéra (which included grand opéra), was associated with the Paris Opéra (the Opéra).
Seussical, sometimes Seussical the Musical, [1] is a musical comedy with lyrics by Lynn Ahrens, music by Stephen Flaherty, and book by Ahrens and Flaherty. based on the many children's stories of Dr. Seuss, with most of its plot being based on Horton Hears a Who!, Gertrude McFuzz, and Horton Hatches the Egg while incorporating many other stories.
Modern musical theatre is a form of theatre that also combines music, spoken dialogue, and dance. It emerged from comic opera (especially Gilbert and Sullivan), variety, vaudeville, and music hall genres of the late 19th and early 20th century. [74]
Comic opera, sometimes known as light opera, is a sung dramatic work of a light or comic nature, usually with a happy ending and often including spoken dialogue. Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a new operatic genre, opera buffa, emerged as an alternative to opera seria.
The term operetta arises in the mid-eighteenth-century Italy and it is first acknowledged as an independent genre in Paris around 1850. [2] Castil-Blaze's Dictionnaire de la musique moderne claims that this term has a long history and that Mozart was one of the first people to use the word operetta, disparagingly, [7] describing operettas as "certain dramatic abortions, those miniature ...