Search results
Results from the WOW.Com Content Network
Led Zeppelin III is the third album by the English rock band Led Zeppelin, released on 5 October 1970. It was recorded in three locations. Much of the work was done at Headley Grange, a country house, using the Rolling Stones Mobile Studio. Additional sessions were held at Island Studios and Olympic Studios in London.
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
As described by Cameron Crowe, "[Led] Zeppelin live was a direct descendant from Elvis' early shows. Raw, direct, a reminder of when rock was young." [12] With such shared enthusiasm for playing a diverse range of musical styles coupled with their emphasis on extended improvisation, Led Zeppelin's concerts frequently extended for several hours.
Pages in category "Led Zeppelin video albums" The following 4 pages are in this category, out of 4 total. ... Mothership (Led Zeppelin album) S. The Song Remains the ...
Led Zeppelin guitarist and producer of the project, Jimmy Page, commenced work on the project in the early 2000s.While fans had been trading poor quality versions of Led Zeppelin video material for years, this was the first official archival video release to contain any footage of the band playing live [2] (outside of the cinematic, and later DVD release of The Song Remains the Same film).
It features the members of Led Zeppelin in late Apollo mission astronaut suits in front of a starry background and a Led Zeppelin logo. The logo behind them shows many space-related images, but the only one wholly visible is the image of the moon's face with a space capsule stuck in its eye taken from the early silent movie A Trip to the Moon .
The Led Zeppelin bootleg recordings are a collection of audio and video recordings of musical performances by the English rock band Led Zeppelin which were never officially released by the band, or under other legal authority. The recordings consist of both live concert performances and outtakes from studio sessions conducted by the band.
By that time [Led Zeppelin] were a huge attraction and I knew Peter (Grant) [Led Zeppelin's manager] wanted to present them in the biggest and best setting that particular year. I was the first concert promoter to use Earl's Court a couple of years before with David Bowie and Slade. So when Peter was considering venues to use he got in touch.