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"The eye of a needle" is a portion of a quotation attributed to Jesus in the synoptic gospels: "I tell you the truth, it is hard for a rich man to enter the kingdom of heaven. Again I tell you, it is easier for a camel to go through the eye of a needle than for a rich man to enter the kingdom of God."
The man cannot comply and he goes away sad. Jesus tells everyone that "It is easier for a camel to go through the eye of a needle than for a rich man to enter the kingdom of God." This is a radical teaching, then and now, as most people naturally believe riches, especially their own, are a sign of God's favor.
"Christ and the Rich Young Ruler" by Heinrich Hofmann. Jesus and the rich young man (also called Jesus and the rich ruler) is an episode in the life of Jesus recounted in the Gospel of Matthew 19:16–30, the Gospel of Mark 10:17–31 and the Gospel of Luke 18:18–30 in the New Testament. It deals with eternal life [1] [2] and the world to ...
These verses convey the episode of Jesus and the rich young man, concluding with "it is easier for a camel to go through the eye of a needle than for the rich to enter into the Kingdom of Heaven". Rembrandt's Hundred Guilder Print depicting various events recorded in Matthew 19. 1649.
Luke 16 is the sixteenth chapter of the Gospel of Luke in the New Testament of the Christian Bible. It records the teachings and parables of Jesus Christ, including the account of the "rich man and Lazarus". [1] There is an "overriding concern with riches" in this chapter, although other topics are also covered. [2]
It is easier for a camel to go through the eye of a needle than for someone who is rich to enter the kingdom of God." — Mark 10:23–25, New Revised Standard Version [ 11 ] Kahan cites Jesus' injunction against amassing material wealth as an example that the "good [Christian] life was one of poverty and charity, storing up treasures in heaven ...
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The Parable of the Rich Fool (1627) by Rembrandt. The Parable of the Rich Fool, also known as The Money Changer, [1] is an oil painting on canvas of 1627 by Rembrandt, now in the Gemäldegalerie, Berlin. [2] Produced early in the artist's career, it depicts the eponymous Biblical parable. The model for the figure is said to have been Rembrandt ...