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Balkan folk music is the traditional folk music within Balkan region.In South Slavic languages, it is known as narodna muzika (народна музика) or folk muzika (фолк музика) in Bulgarian, Macedonian, and Serbo-Croatian, and alternatively narodna glazba in standard Croatian, and narodna glasba in Slovene.
The Ilidža Folk Music Festival (Bosnian: Festival narodne muzike Ilidža; Serbian Cyrillic: Фестивал народне музике Илиџа) is the oldest living and premier folk music festival in the Former Yugoslavia.
Južni Vetar (Serbian Cyrillic: Јужни Ветар, "South Wind") is a Bosnian-Serbian music band famous for recording with many famous folk, pop-folk and turbo-folk singers from Serbia and Bosnia and Herzegovina.
Serbian folk music (Serbian: српска народна музика / srpska narodna muzika) refers to, in the narrow sense, the "older" style of Serbian folk music, predating the "newer" (Serbian: новокомпонована / novokomponovana, "newly composed") style which emerged in the 1970s and 1980s as a result of urbanisation.
The Macedonian traditional music, which can be rural or urban (starogradska muzika), includes: lyric songs, epic songs, labour songs, ritual songs, humorous songs, circle dance ("oro"), the old urban style called Čalgija (not to be confused with chalga) etc. Popular traditional songs are: Kaleš bre Anǵo, Slušam kaj šumat šumite, Biljana platno beleše, Dafino vino crveno, Narode ...
"Modern" folk was referred to as "novokomponovana narodna muzika" ("newly composed folk music") for a while, although the term went out of use in favor of simply "narodna" or "folk". It is based on various influences, sevdah stories with music of Serbia and/or Turkey often with incorporated elements of pop music.
Uživo sa Egzit-a! / Live At Exit! is a live DVD release by the Serbian alternative rock band Disciplin A Kitschme, released by PGP RTS in 2006. The recording consists of the band performance at the 2005 Novi Sad Exit Festival.
The origins of Sevdalinka are not known for certain, although it is known to date at least as far back as to the arrival of the Ottomans in the medieval Balkans.Their melodies and the venerable lyrical figure of "Aman, aman" hint at a Sephardic and Andalusian influence, which can be explained by the arrivals of Sephardic refugees into Ottoman Bosnia, or more likely attributed to an Ottoman ...