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A hand-cut rubylith master used in the 1983 phototypesetting release of Neue Helvetica [73] Varying Neue Helvetica typeface weights. Neue Helvetica (German pronunciation: ⓘ), sometimes Helvetica Neue in some digital files, [74] is a reworking of the typeface with a more structurally unified set of heights and widths. Other changes include ...
Helvetica is a documentary that interviews many graphic designers involved in the history or modern usage of the Helvetica typeface. The initial interviews discuss the original creator Eduard Hoffmann, and his goals for creating a clean, legible type relating to the ideals of the Modernist movement.
Older iOS devices continue to use Helvetica or Helvetica Neue in regular font weights that display with higher contrast on low-resolution displays. With the introduction of OS X 10.10 "Yosemite" in June 2014, Apple started using Helvetica Neue as the system font on the Mac. This brought all of Apple's user interfaces in line, using Helvetica ...
Max Miedinger (24 December 1910 – 8 March 1980) was a Swiss typeface designer, [1] best known for creating the Neue Haas Grotesk typeface in 1957, renamed Helvetica in 1960. Marketed as a symbol of cutting-edge Swiss technology, Helvetica achieved immediate global success.
FF Meta is a humanist sans-serif typeface family designed by Erik Spiekermann and released in 1991 [1] through his FontFont library. According to Spiekermann, FF Meta was intended to be a "complete antithesis of Helvetica", which he found "boring and bland". [2] It originated from an unused commission for the Deutsche Bundespost (German Federal ...
Univers (French pronunciation: ⓘ) is a sans-serif typeface family designed by Adrian Frutiger and released by his employer Deberny & Peignot in 1957. [1] Classified as a neo-grotesque sans-serif, one based on the model of nineteenth-century German typefaces such as Akzidenz-Grotesk, it was notable for its availability from the moment of its launch in a comprehensive range of weights and widths.
Arial is a sans-serif typeface in the neo-grotesque style. Fonts from the Arial family are included with all versions of Microsoft Windows after Windows 3.1, as well as in other Microsoft programs, [2] Apple's macOS, [3] and many PostScript 3 printers. [4] In Office 2007, Arial was replaced by Calibri as the default typeface in PowerPoint ...
It is based on typical Swiss fonts from the middle of the 20th century. The font was intended to evoke a sense of the Helvetica and Arial fonts. [6] It was introduced in 2021 alongside four other fonts (Grandview, Seaford, Skeena and Tenorite) for the Microsoft Office and Microsoft 365 applications.