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Joe Pizzulo (born June 15, 1951) is an American vocalist best known as one of the lead singers on 1980s hit singles credited to Sérgio Mendes, including "Never Gonna Let You Go" [1] (from Mendes' self-titled 1983 album) and "Alibis" (from the 1984 album Confetti).
The best known rendition, however, is sung by Joe Pizzulo and Leeza Miller on the 1983 self-titled album of Brazilian bandleader Sérgio Mendes. Weil and Mann had originally submitted "Never Gonna Let You Go" to American funk band Earth, Wind & Fire, but they decided not to record the song. [1] [page needed]
Sergio Mendes [1] is an album by Brazilian keyboardist Sérgio Mendes, released in 1983 on A&M Records.It was his first top 40 album in nearly a decade and a half, his second self-titled album, and was accompanied by his biggest chart single ever, "Never Gonna Let You Go", a song written by Barry Mann and Cynthia Weil and with a lead vocal performed by Joe Pizzulo and Leeza Miller that reached ...
Confetti is an album by Sérgio Mendes, released in 1983.. Most of the songs of the album were written by established US pop composers and lyricists such as Alan and Marilyn Bergman, Barry Mann, Cynthia Weil, Don Freeman, and Tom Snow.
Sérgio Mendes, a singer and composer who helped popularize the bossa nova music of his native Brazil, died Thursday in Los Angeles, his family shared in a statement with CNN.
Brasil '86 is an album by Sérgio Mendes.The album is best known for four songs by different vocalists: "Daylight" sung by Siedah Garrett, "Your Smile" by Gracinha Leporace, "No Place to Hide" by Lani Hall, and "What Do We Mean to Each Other", a duet by Lisa Bevill and Joe Pizzulo, which charted at No. 19 on the Billboard Adult Contemporary chart in 1987 (No. 16 on the Radio & Records AC chart).
Experts say vehicle-based attacks are simple for a 'lone wolf' terrorist to plan and execute, and challenging for authorities to prevent.
"Never Gonna Let You Go", featuring vocals by Joe Pizzulo and Leeza Miller, [1] equalled the success of his 1968 single "The Look of Love" by reaching No. 4 on the Billboard Hot 100 chart; it also spent four weeks atop the Billboard adult contemporary chart. [4]