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This overall design was called "shining armor" (Chinese: 明光甲; pinyin: míngguāngjiǎ). [63] There is an alternative theory that mountain pattern armour is simply a result of very stylistic depictions of mail armour, [64] but known depictions of mail armour in Chinese art do not match with mountain pattern armour either.
Lacquerware is a longstanding tradition in Japan [6] [7] and, at some point, kintsugi may have been combined with maki-e as a replacement for other ceramic repair techniques. . While the process is associated with Japanese craftsmen, the technique was also applied to ceramic pieces of other origins including China, Vietnam, and Kor
Other weapons from Chinese mythology, legend, cultural symbology, and fiction include the shield and battleax of the defiant dancer Xingtian, Yi's bow and arrows, given him by Di Jun, and the many weapons and armor of Chiyou, who is associated with the elemental power of metal. Chinese mythology, legend, cultural symbology, and fiction features ...
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A mianguan in the Ding Ling Tomb Museum within the Ming Tombs. The mianguan (Chinese: 冕冠; pinyin: miǎnguān; lit. 'ceremonial headdress'), also called benkan in Japan, myeonlyugwan in Korea, and Miện quan in Vietnam, is a type of crown traditionally worn by the emperors of China, Japan, Korea, and Vietnam, as well as other kings in the East Asia.
Early Japanese lamellar armour, called keiko, took the form of a sleeveless jacket and a helmet. [9] The middle of the Heian period was when lamellar armour started to take the shape that would be associated with samurai armour. By the late Heian period Japanese lamellar armour developed into full-fledged samurai armour called Ō-yoroi. [10]
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Mirror armour (Russian: зерцало, zertsalo, meaning "mirror"; Chinese: 护心镜, hùxīnjìng, meaning "protect-heart mirror"), sometimes referred to as disc armour or as chahār-āyneh or char-aina (Persian: چهاﺮآﻳنه meaning "four mirrors"; whence Kazakh: шар-айна, şar-ayna), was a type of cuirass used mainly in Asia ...