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Shinto is a blend of indigenous Japanese folk practices, beliefs, court manners, and spirit-worship which dates back to at least 600 CE. [7]: 99 These beliefs were unified as "Shinto" during the Meiji era (1868–1912), [6]: 4 [12] though the Chronicles of Japan (日本書紀, Nihon Shoki) first referenced the term in the eighth century.
Jinja-shinto (神社神道) – Originally a synonym of State Shinto (Kokka Shinto below), it is now a term criticized by specialists as problematic. [1] When applied to post-war Shinto, it means the beliefs and practices associated to shrines, particularly those associated with the Association of Shinto Shrines. [1] Jisei (自制, lit.
[4] [5] This list contains 166 paintings from 7th-century Asuka period to the early modern 19th-century Edo period. In fact the number of paintings presented is more than 166, because in some cases groups of related paintings are combined to form a single entry. The paintings listed show Buddhist themes, landscapes, portraits and court scenes ...
A torii gateway to the Yobito Shrine (Yobito-jinja) in Abashiri City, HokkaidoThere is no universally agreed definition of Shinto. [2] According to Joseph Cali and John Dougill, if there was "one single, broad definition of Shinto" that could be put forward, it would be that "Shinto is a belief in kami", the supernatural entities at the centre of the religion. [3]
The monumental two-sided byōbu screens became a symbol of the Rinpa tradition, but both sides of the screens have since been separated to protect them from damage. [3] Kōrin's painting is a close replica of an original by Tawaraya Sōtatsu, dated from the 17th century, and designated a National Treasure.
Ensō (円相) is a Japanese word meaning "circle". It symbolizes the Absolute, enlightenment, strength, elegance, the Universe, and the void; it also may be taken to symbolize the Japanese aesthetic itself. Zen Buddhist calligraphists may "believe that the character of the artist is fully exposed in how she or he draws an ensō.
A kannushi, that is, a Shinto priest, can become a living shintai when a kami enters his body during religious ceremonies. The founding of a new shrine requires the presence of either a pre-existing, naturally occurring shintai (for example a rock or waterfall housing a local kami ), or of an artificial one, which must therefore be procured or ...
Japanese Modern Art Painting From 1910 . Edition Stemmle. ISBN 3-908161-85-1; Watson, William, The Great Japan Exhibition: Art of the Edo Period 1600-1868, 1981, Royal Academy of Arts/Weidenfeld & Nicolson; Momoyama, Japanese art in the age of grandeur. New York: The Metropolitan Museum of Art. 1975. ISBN 978-0-87099-125-7. Murase, Miyeko (2000).