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Chord diagrams for some common chords in major-thirds tuning. In music, a chord diagram (also called a fretboard diagram or fingering diagram) is a diagram indicating the fingering of a chord on fretted string instruments, showing a schematic view of the fretboard with markings for the frets that should be pressed when playing the chord. [1]
Open chords for beginners. These chord shapes can be moved across the fretboard, unlike the chord shapes of standard tuning. More movable chord-shapes. In all guitar tunings, the higher-octave version of a chord can be found by translating a chord by twelve frets higher along the fretboard. [6]
The irregular major third breaks the fingering patterns of scales and chords, so that guitarists have to memorize multiple chord shapes for each chord. Scales and chords are simplified by major thirds tuning and all-fourths tuning, which are regular tunings maintaining the same musical interval between consecutive open string notes. [3]
A FuniChar D-616 guitar with a Drop D tuning. It has an unusual additional fretboard that extends onto the headstock. Most guitarists obtain a Drop D tuning by detuning the low E string a tone down. This article contains a list of guitar tunings that supplements the article guitar tunings. In particular, this list contains more examples of open ...
An illustration shows this C7 voicing (C, E, G, B ♭), which would be extremely difficult to play in standard tuning, [30] besides the openly voiced C7-chord that is conventional in standard tuning: [30] This open-position C7 chord is termed a second-inversion C7 drop 2 chord (C, G, B ♭, E), because the second-highest note (C) in the second ...
The suspended fourth chord is often played inadvertently, or as an adornment, by barring an additional string from a power chord shape (e.g., E5 chord, playing the second fret of the G string with the same finger barring strings A and D); making it an easy and common extension in the context of power chords.
In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest. [6]
The E-type barre chord is an E chord shape (022100) barred up and down the frets, transposing the chord. For example, the E chord barred one fret up becomes an F chord (133211). The next fret up is F ♯, followed by G, A ♭, A, B ♭, B, C, C ♯, D, E ♭, and then back to E (1 octave up) at fret twelve.
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