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Glyptics or glyptic art covers the field of small carved stones, including cylinder seals and inscriptions, especially in an archaeological context. Though they were keenly collected in antiquity, most carved gems originally functioned as seals , often mounted in a ring; intaglio designs register most clearly when viewed by the recipient of a ...
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Glyptic art: Rakic, Yelena 2003. The Contest Scene in Akkadian Glyptic: A Study of its imagery and function within the Akkadian empire. PhD thesis, University of Pennsylvania. Collon, D. Catalogue of the Western Asiatic Seals in the British Museum: Cylinder Seals, vol 2 Akkadian and Ur III. Boehmer, Rainer Michael 1965.
Mughal dagger hilt in jade with gold, rubies, and emeralds.. Hardstone carving, in art history and archaeology, is the artistic carving of semi-precious stones (and sometimes gemstones), such as jade, rock crystal (clear quartz), agate, onyx, jasper, serpentinite, or carnelian, and for objects made in this way.
Napoleon admired the exquisite craftsmanship of ancient cameos and saw them as emblems of France’s connection to Roman grandeur. He established a school in Paris for cameo making, bringing Sicilian artisans to train young French craftsmen in the glyptic arts, resulting in some of the most innovative cameo work of the period. [8]
Holly Pittman is a Near Eastern art historian and archaeologist, and an expert in Near Eastern glyptic art.She is the Bok Family Professor in the Humanities and a Professor in the History of Art Department of the University of Pennsylvania and serves as a curator in the Near East Section of the University of Pennsylvania Museum of Archaeology and Anthropology.
The cameo shows the profiles of a man and a woman which conceivably possess family likeness. This capita jugata type of portrait, showing two superimposed profiles, is known from the coins issued by Ptolemy II Philadelphus in Hellenistic Egypt.
Organic Abstraction is an artistic style characterized by "the use of rounded or wavy abstract forms based on what one finds in nature." [1] It takes its cues from rhythmic forms found in nature, both small scale, as in the structures of small-growth leaves and stems, and grand, as in the shapes of the universe that are revealed by astronomy and physics. [2]