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Pro Tools is a digital audio workstation (DAW) developed and released by Avid Technology (formerly Digidesign) [1] for Microsoft Windows and macOS. [2] It is used for music creation and production, sound for picture (sound design, audio post-production and mixing) [3] and, more generally, sound recording, editing, and mastering processes.
An idealized and extreme smiley face curve shown using a 29-band graphic equalizer. A smiley face curve or mid scoop [1] in audio signal processing is a target frequency response curve characterized by boosted low and high frequencies coupled with reduced midrange frequency power.
In addition to PCI and PCIe internal sound cards, Creative also released an external USB-based solution (named X-Mod) in November 2006. X-Mod is listed in the same category as the rest of the X-Fi lineup, but is only a stereo device, marketed to improve music playing from laptop computers, and with lower specifications than the internal offerings.
The VLC port for Windows 8 and Windows 10 is backed by a crowdfunding campaign on Kickstarter to add support for a new GUI based on Microsoft's Metro design language, that will run on the Windows Runtime. All the existing features including video filters, subtitle support, and an equalizer are present in Windows 8. [74]
In the graphic equalizer, the input signal is sent to a bank of filters. Each filter passes the portion of the signal present in its own frequency range or band . The amplitude passed by each filter is adjusted using a slide control to boost or cut frequency components passed by that filter.
Graphic equalizer. Equalizers are electronic devices that allow audio engineers to control the tone and frequencies of the sound in a channel, group (e.g., all the mics on a drumkit) or an entire stage's mix. The bass and treble controls on a home stereo are a simple type of equalizer.
Here, the still-mic-level signal enters into a microphone preamplifier, which boosts the signal voltage to line level. For this example, the microphone preamplifier is built into a mixing board. It is typical for a mixing board to include a line trim after the preamplifier. This allows the amplitude of the now line-level signal to be adjusted.
UREI subsequently acquired National Intertel; from this acquisition came technology which developed into the 1176 peak limiter in 1968, [4] and the 1108 FET preamp. Other notable products included the UREI Teletronix LA-3A electro-optical leveling amplifier, LA-4 electro-optical compressor limiter, [ 5 ] and UREI 500-series graphic equalizers.