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English translation (by Radhakrishnan) I.1. (The mental) natures are the result of what we have thought, are chieftained by our thoughts, are made up of our thoughts. If a man speaks or acts with an evil thought, sorrow follows him (as a consequence) even as the wheel follows the foot of the drawer (i.e. the ox which draws the cart). [1] XXI.1.
Goloka (Sanskrit: गोलोक) or Goloka Vrindavan (IAST: Goloka Vṛndāvana) is the celestial abode of the Hindu god Krishna and his chief consort Radha. [ 1 ] [ 2 ] In the Bhagavata Purana [ 3 ] and Garga Samhita , Krishna is portrayed as the highest person who resides in Goloka along with his three wives - Radha, Virija and Bhudevi .
Garga Samhita (Sanskrit: गर्ग संहिता, romanized: Garga-saṃhitā) is a Sanskrit-language Vaishnavite scripture based on the Hindu deities Radha and Krishna. Its authorship is attributed to the sage Garga, the head priest of Krishna's clan, Yadava.
Ashtasakhi with Radha Krishna at Sri Radha Rasbihari Ashtasakhi Temple, Vrindavan. Lalita: Out of eight prominent sakhi, Lalita is the foremost sakhi. She is the eldest gopi among Ashtasakhi and is 27 days older than Radha. She was born to her parents Visoka (father) and Saradi (mother) in Unchagaon, near Barsana. [6]
The Radha Tantra (Sanskrit: राधा तंत्र, romanized: Rādhātantram), also known as Vāsudevarahasya (Vāsudeva's secret) is a Tantric scripture from Bengal that deals with the story of Radha-Krishna in the backdrop of Vrindavan. The scripture is written in the Sanskrit language and is dedicated to the goddess Radha.
Radha-Krishna (IAST rādhā-kṛṣṇa, Sanskrit: राधा कृष्ण) is the combined form of the Hindu god Krishna with his chief consort and shakti Radha.They are regarded as the feminine as well as the masculine realities of God, [7] in several Krishnaite traditions of Vaishnavism.
The Gaudiya tradition focuses upon parakiya-rasa as the highest form of love, wherein Radha and Krishna share thoughts even through separation. The love the gopis feel for Krishna is also described in this esoteric manner as the highest platform of spontaneous love of God, and not of a sexual nature.
Jayadeva worshipping Krishna and Radha. The work delineates the love of Krishna for Radha, the milkmaid, his faithlessness and subsequent return to her, and is taken as symbolical of the human soul's straying from its true allegiance but returning at length to the God which created it.