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A concert tour (or simply tour) is a series of concerts by an artist or group of artists in different cities, countries or locations. Often, concert tours are named to differentiate different tours by the same artist and to associate a specific tour with a particular album or product. Especially in the popular music world, such tours can become ...
A concert residency [8] or musical residency [9] is a series of live music concerts similar to a concert tour, but only performed at one location. One will have fewer shows than a concert tour. Theaters generally serve as the venues for them. Concert residencies are usually associated with the city of Las Vegas. Bands and individuals might ...
African American Vernacular English speakers do not simply replace "is" with "be" across all tenses, with no added meaning. In fact, AAVE speakers use "be" to mark a habitual grammatical aspect not explicitly distinguished in Standard English. [112] "420" did not originate from the Los Angeles police or penal code for marijuana use. [113]
Concert performances are commonly presented in concert halls without a theater stage, but occasionally also in opera houses when a scenic production is deemed too difficult or expensive. During a concert performance in an opera house, the orchestra does not play in the orchestra pit. Frequently, they play on the stage, with the choir (chorus ...
The word "gig" to refer to a performance very likely originated well before the 1930s, and remained a common term throughout the 1940s and 1950s before becoming vaguely associated with the hippie slang of the 1960s. The word "gig" is now a widely accepted synonym for a concert, recital, or performance of any type.
The first published English grammar was a Pamphlet for Grammar of 1586, written by William Bullokar with the stated goal of demonstrating that English was just as rule-based as Latin. Bullokar's grammar was faithfully modeled on William Lily's Latin grammar, Rudimenta Grammatices (1534), used in English schools at that time, having been ...
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In a live concert context, refers to the massive volume created by huge stacks of powerful, distorted guitar amplifiers at a heavy metal concert (e.g. Motörhead) weekend warrior. An amateur or semi-professional musician who plays gigs on their off-hours while working a job outside of music. The term may be used derisively or fairly neutrally.