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Cross-stringing. Cross-stringing (sometimes called overstringing) is a method of arranging piano strings inside the case of a piano so that the strings are placed in a vertically overlapping slanted arrangement, with two heights of bridges on the soundboard instead of just one. This permits larger, but not necessarily longer, strings to fit ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
In music theory, the bass note of a chord or sonority is the lowest note played or notated. If there are multiple voices it is the note played or notated in the lowest voice (the note furthest in the bass .) Three situations are possible: The bass note is the root or fundamental of the chord. The chord is in root position.
Alberti bass is a kind of broken chord or arpeggiated accompaniment, where the notes of the chord are presented in the order lowest, highest, middle, highest. This pattern is then repeated several times throughout the music. [ 5 ] The broken chord pattern helps to create a smooth, sustained, flowing sound on the piano.
Six Little Preludes (933–938) An 18th-century set of short preludes by Johann Sebastian Bach: BWV 933 – Little Prelude in C major. BWV 934 – Little Prelude in C minor. BWV 935 – Little Prelude in D minor. BWV 936 – Little Prelude in D major. BWV 937 – Little Prelude in E major. BWV 938 – Little Prelude in E minor.
Figured bass is musical notation in which numerals and symbols appear above or below (or next to) a bass note. The numerals and symbols (often accidentals) indicate intervals, chords, and non-chord tones that a musician playing piano, harpsichord, organ, or lute (or other instruments capable of playing chords) should play in relation to the ...
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