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  2. Line (poetry) - Wikipedia

    en.wikipedia.org/wiki/Line_(poetry)

    Line breaks can be a source of dynamism, providing a method by which poetic forms imbue their contents with intensities and corollary meanings that would not have been possible to the same degree in other forms of text. Distinct forms of line, as defined in various verse traditions, are usually categorised according to different rhythmical ...

  3. Glossary of poetry terms - Wikipedia

    en.wikipedia.org/wiki/Glossary_of_poetry_terms

    Rondeau: a mainly octosyllabic poem consisting of between 10 and 15 lines and 3 stanzas. It has only 2 rhymes, with the opening words used twice as an un-rhyming refrain at the end of the 2nd and 3rd stanzas. Virelai; Found poem: a prose text or texts reshaped by a poet into quasi-metrical lines.

  4. Widows and orphans - Wikipedia

    en.wikipedia.org/wiki/Widows_and_orphans

    The last line of a paragraph continuing on to a new page (highlighted yellow) is a widow (sometimes called an orphan). In typesetting, widows and orphans are single lines of text from a paragraph that dangle at either the beginning or end of a block of text, or form a very short final line at the end of a paragraph. [1]

  5. I hear it in your voice. You’re smoking with your boys. I touch my phone as if it’s your face. I didn’t choose this town. I dream of getting out. There’s just one who could make me stay ...

  6. Hoist with his own petard - Wikipedia

    en.wikipedia.org/wiki/Hoist_with_his_own_petard

    "Hoist with his own petard" is a phrase from a speech in William Shakespeare's play Hamlet that has become proverbial. The phrase's meaning is that a bomb-maker is blown ("hoist", the past tense of "hoise") off the ground by his own bomb ("petard"), and indicates an ironic reversal or poetic justice. [1]

  7. Poetry - Wikipedia

    en.wikipedia.org/wiki/Poetry

    The villanelle is a nineteen-line poem made up of five triplets with a closing quatrain; the poem is characterized by having two refrains, initially used in the first and third lines of the first stanza, and then alternately used at the close of each subsequent stanza until the final quatrain, which is concluded by the two refrains.

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