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The Glasgow dialect, also called Glaswegian, varies from Scottish English at one end of a bipolar linguistic continuum to the local dialect of West Central Scots at the other. [ 1 ] [ 2 ] Therefore, the speech of many Glaswegians can draw on a "continuum between fully localised and fully standardised". [ 3 ]
Glaswegian, Keelies, [42] [43] Weegies [44] Glastonbury Glastoids, Ding-a-Lings (a centre of New Age activity) Glossop Hillmen (due to its proximity to the Peak District), Tuppies (after the P. G. Wodehouse character Tuppy Glossop) Gloucester Gloucestrians, Glozzies Godalming Godalmingers, God-all-mingers (pejorative) Golborne Gollums Goole ...
Some speakers code switch clearly from one to the other while others style shift in a less predictable and more fluctuating manner. [10] Generally, there is a shift to Scottish English in formal situations or with individuals of a higher social status.
Glaswegian is the associated adjective and demonym of Glasgow, a city of the Scottish Lowlands in Scotland. It may refer to: Anything from or related to the city of Glasgow, in particular: The people of Glasgow (see also List of people from Glasgow) The Glasgow dialect of English and Scots
It provides a set of symbols to represent the pronunciation of Scottish Gaelic in Wikipedia articles, and example words that illustrate the sounds that correspond to them. Integrity must be maintained between the key and the transcriptions that link here; do not change any symbol or value without establishing consensus on the talk page first.
Descriptions of the language have largely focused on the phonology. Welsh naturalist Edward Lhuyd published the earliest major work on Scottish Gaelic after collecting data in the Scottish Highlands between 1699 and 1700, in particular data on Argyll Gaelic and the now obsolete dialects of north-east Inverness-shire.
Published in 1969, his Six Glasgow Poems has been called 'epoch-making'. [1] The poems were first published as an insert in Glasgow University Magazine. [9]In 1984, he released Intimate Voices, a selection of his work from 1965 onwards including poems and essays on William Carlos Williams and "the nature of hierarchical diction in Britain."
Scottish Gaelic orthography has evolved over many centuries and is heavily etymologizing in its modern form. This means the orthography tends to preserve historical components rather than operating on the principles of a phonemic orthography where the graphemes correspond directly to phonemes.