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There was a revival of the yamato-e style in the 15th century by the Tosa school, including a return to narrative subjects, and although the rival Kanō school grew out of the alternative tradition of Chinese-style works, the style it developed from the late 16th century for large paintings decorating Japanese castles included some elements of ...
Fukinuki yatai (吹抜屋台) describes a feature of Japanese art particularly associated with e-maki (絵巻) painted scrolls, famously for example, yamato-e. Scene depicting the death of Lady Murasame on the Genji monogatari emaki. Scene from The Tale of Genji by Tosa Mitsuoki, from the 17th century Tosa school revival of the yamato-e.
Scene from a long narrative scroll retelling the history of a Buddhist monastery, by Tosa Mitsunobu (1434–1535). The Tosa school (土佐派, Tosa-ha) of Japanese painting was founded in the early Muromachi period (14th–15th centuries), [1] and was devoted to yamato-e, paintings specializing in subject matter and techniques derived from ancient Japanese art, as opposed to schools influenced ...
More precisely, the style is part of a sub-genre of Yamato-e called otoko-e (lit. "painting of a man"). [41] The otoko-e style is characterised by the depiction of the life of the people outside the palace and the staging of historical and epic events, as opposed to the intimate and romanticised emakimono about life in the palace.
The term emakimono or e-makimono, often abbreviated as emaki, is made up of the kanji e (絵, "painting"), maki (巻, "scroll" or "book") and mono (物, "thing"). [1] The term refers to long scrolls of painted paper or silk, which range in length from under a metre to several metres long; some are reported as measuring up to 12 metres (40 ft) in length. [2]
The Cultural Atlas of Islam is a reference work by Isma'il Raji al-Faruqi and Lois Lamya al-Faruqi, published posthumously in 1986. The book provides an extensive overview of Islamic civilization, covering various aspects such as history, geography, culture, art, and science. It aims to contribute to the understanding of the diverse heritage of ...
The work belongs mainly to the otoko-e ("painting of men") genre of Yamato-e, typical of epic tales or religious legends, by emphasising the freedom of ink lines and the use of light colours leaving portions of paper bare. [32] The dynamism of the lines is particularly evident in the crowds of people and soldiers.
Awataguchi Takamitsu was a court painter during the Ashikaga period. This period produced Yamato-e and many artists painted Yamato-e on scrolls, sliding doors and screens. Some extant paintings of Awataguchi Takamitsu were found on scrolls. These scrolls keep on the traditional Japanese style, have weak lines and coloring.