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Unlike other forms of Japanese architecture (such as those of the sukiya (数寄屋) style), it is the structure rather than the plan that is of primary importance to the minka. [3] Minka are divided up with primary posts that form the basic framework and bear the structural load of the building; secondary posts are arranged to suit the ...
Japanese design is based strongly on craftsmanship, beauty, elaboration, and delicacy. The design of interiors is very simple but made with attention to detail and intricacy. This sense of intricacy and simplicity in Japanese designs is still valued in modern Japan as it was in traditional Japan. [89]
En that cannot be enclosed by amado, or sufficiently sheltered by eaves, must be finished to withstand the Japanese climate. [3] Modern architecture often encloses an en with sheet glass. An engawa allows the building to remain open in the rain or sun, without getting too wet or hot, and allows flexible ventilation and sightlines. [4]
Ryukyuan architecture (琉球建築, Ryūkyū kenchiku) is the architecture in Ryukyu Islands (the Okinawa Prefecture and the Amami Islands in Kagoshima Prefecture, Japan). The history of Ryukyuan architecture dates back to the Shell Mound Period that lasted between 2000–1000 BC. During this period, houses in Okinawa were principally pit ...
Shoin-zukuri (Japanese: 書院造, 'study room architecture') is a style of Japanese architecture developed in the Muromachi, Azuchi–Momoyama and Edo periods that forms the basis of today's traditional-style Japanese houses.
In the Azuchi-Momoyama period not only sukiya style but the contrasting shoin-zukuri (書院造) of residences of the warrior class developed. While sukiya was a small space, simple and austere, shoin-zukuri style was that of large, magnificent reception areas, the setting for the pomp and ceremony of the feudal lords.
Diagram showing square tiles, on the diagonal, nailed at all four corners and grouted in mounds over the joins and nails. Namako wall or Namako-kabe (sometimes misspelled as Nameko) is a Japanese wall design widely used for vernacular houses, particularly on fireproof storehouses by the latter half of the Edo period. [1]
It was first published in 1886 after its author had spent three years in Japan studying and teaching zoology. It contains numerous drawings by Morse of various features of Japanese houses, including details of construction, a description of carpenter's tools, and a section on bonsai and flower arrangement.