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Description: Graph of the Half-age-plus-seven rule ("never date anyone under half your age plus 7"), which claims to dictate what age disparity between two people is acceptable in dating/romantic/intimate relationships during the late 20th century / early 21st century (called the "Standard creepiness rule" in the xkcd webcomic).
Urdu is the sole national, and one of the two official languages of Pakistan (along with English). [103] It is spoken and understood throughout the country, whereas the state-by-state languages (languages spoken throughout various regions) are the provincial languages, although only 7.57% of Pakistanis speak Urdu as their first language. [162]
Rule of seven may refer to "The Magical Number Seven, Plus or Minus Two", a highly cited paper in psychology; The "half-your-age-plus-seven" rule; Rule of sevens, establishing age brackets for determining capacity to give informed assent or to commit crimes or torts
Main Abdul Qadir Hoon (Urdu: میں عبدالقادر ہوں) (English: I am Abdul Qadir) is a Pakistani drama serial that aired on Hum TV every Saturday broadcasting from 18 December 2010 to 21 May 2011. The serial is written by Sarwat Nazir and directed by Babar Javed.
It sets out the state's outline, the fundamental rights of the population, the state's law and orders, and also the structure and establishment of the institutions and the armed forces. [2] Drafted by the government of Zulfikar Ali Bhutto , with additional assistance from the country's opposition parties , it was unanimously approved by the 5th ...
Hindustani (sometimes called Hindi–Urdu) is a colloquial language and lingua franca of Pakistan and the Hindi Belt of India. It forms a dialect continuum between its two formal registers: the highly Persianized Urdu, and the de-Persianized, Sanskritized Hindi. [2] Urdu uses a modification of the Persian alphabet, whereas Hindi uses Devanagari ...
Ahmad Faraz is included in the long list of revolutionary poets of Urdu language and is "acclaimed as one of the most influential modern Urdu poets of the last century." [ 2 ] [ 9 ] [ 5 ] "This felicity with words is evident in much of Faraz's work, as is an economy of expression, along with an ability to wrap layers of meaning into brief lines ...
The Urdu ghazal makes use of a store of common characters, settings, images, and metaphors that inform both readers and poets of how to navigate the aforementioned ghazal universe. [33] These tropes have been cultivated for hundreds of years and are meant to deeply resonate with listeners of the ghazal, invoking their expectations of meaning. [33]