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The speaker of Dickinson's poem meets personified Death. Death is a gentleman who is riding in the horse carriage that picks up the speaker in the poem and takes the speaker on her journey to the afterlife. According to Thomas H. Johnson's variorum edition of 1955 the number of this poem is "712".
The poem's three unemotional quatrains are written in iambic trimeter with only line 5 in iambic tetrameter. Lines 1 and 3 (and others) end with extra syllables. The rhyme scheme is abcb. The poem's "success" theme is treated paradoxically: Only those who know defeat can truly appreciate success. Alliteration enhances the poem's lyricism.
(Wall poem in The Hague) "This Is Just to Say" (1934) is an imagist poem [1] by William Carlos Williams. The three-versed, 28-word poem is an apology about eating the reader's plums. The poem was written as if it were a note left on a kitchen table. It has been widely pastiched. [2] [3]
He has also written a book of football poems, 50 Ways to Score a Goal (2021). His first novel, Diary of a Somebody (2019), was shortlisted for the Costa Book Award for First Novel, and his poem "Refugees" has been published as an illustrated book for children. [5] [6] In 2023, he published a book of "seasonally adjusted poems", And So This Is ...
F. R. Scott (1899–1985), Canadian poet, academic and constitutional expert; Tom Scott (1918–1995), Scottish poet; Sir Walter Scott (1771–1832), Scottish historical novelist, playwright and poet; Gil Scott-Heron (1949–2011), US soul musician and jazz poet; George Bazeley Scurfield (1920–1991), English poet, novelist, author and politician
Her poem was written in 1904 for a contest held in Brown Book Magazine, [5] by George Livingston Richards Co. of Boston, Massachusetts [2] Mrs. Stanley submitted the words in the form of an essay, rather than as a poem. The competition was to answer the question "What is success?" in 100 words or less. Mrs. Stanley won the first prize of $250. [6]
The poem was published in the October 1796 Monthly Magazine, [22] under the title Reflections on Entering into Active Life. A poem Which Affects Not to be Poetry. [23] Reflections was included in Coleridge's 28 October 1797 collection of poems and the anthologies that followed. [22] The themes of Reflections are similar to those of The Eolian Harp.
The poetry of McGough has been the subject of academic study. It has been characterised, at least from its early examples, as being reliant on play with words and their meanings. It has also been noted to exhibit a stylised wit, and, at times, a sadness based on themes of lost youth, unfulfilled relationships, and the downside of city life.