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"(Just Like) Starting Over" was the first single released from Double Fantasy and the first new recording Lennon had released since he left the music industry in 1975. [3] It was chosen by Lennon not because he felt it was the best track on the album, but because it was the most appropriate following his five-year absence from the recording industry.
"Piano Man" is a song written and performed by American singer-songwriter Billy Joel. First released as a single in the US on November 2, 1973, it was included on Joel's 1973 album Piano Man . The song is sung from the point of view of a piano player at a bar, describing the patrons.
Like some other songs on Double Fantasy, including the hit single "(Just Like) Starting Over," one of the themes of "Cleanup Time" is rebirth, and another theme, as with "Watching the Wheels" is Lennon "coming to terms with his quiet years," during which Lennon was a househusband and Yoko Ono looked after the couple's business interests.
Billy Joel performing in 2017. Billy Joel is the "Piano Man," and the song is celebrating its 50th anniversary.. Originally released on Nov. 2, 1973, Joel's signature song isn't even the tune that ...
Billy Joel knows all about an increasingly popular fan theory that suggests two of his "Piano Man" song characters are gay. And, the Grammy winner understand why fans think that. In the song ...
Also recorded during this time was the Christmas song "Happy Xmas (War Is Over)". [6] Some Time in New York City (1972), a part-studio, part-live album with Yoko Ono and Elephant's Memory, contained songs by both Lennon and Ono, with lyrics discussing political and social issues and topics such as sexism, incarceration, colonialism and racism. [12]
The song was the 1980 Christmas number-one single in both the UK and Ireland. In the UK, it demoted John Lennon's last single, "(Just Like) Starting Over", to number two. [1] [2] After two weeks at number one, a previous Lennon song, "Imagine", replaced it. This was a posthumous release as Lennon had been killed three weeks prior.
Blaney regards it as being "more musically and lyrically adventurous" than "(Just Like) Starting Over." [4] Urish and Bielen describe the lyrics as having "an erotic tone," pointing explicitly to a line that includes the phrases "touch me" and "shaking inside."
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