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Hyperbole (/ h aɪ ˈ p ɜːr b əl i / ⓘ; adj. hyperbolic / ˌ h aɪ p ər ˈ b ɒ l ɪ k / ⓘ) is the use of exaggeration as a rhetorical device or figure of speech.In rhetoric, it is also sometimes known as auxesis (literally 'growth').
Exaggeration is the representation of something as more extreme or dramatic than it is, intentionally or unintentionally. It can be a rhetorical device or figure of speech , used to evoke strong feelings or to create a strong impression.
Epithet – a term used as a descriptive and qualifying substitute for the name of a person, place or thing. Epizeuxis – emphasizing an idea by repeating a single word. Eristic – communicating with the aim of winning the argument regardless of truth. Erotema – rhetorical question; a question is asked to which an answer is not expected. [1]
A term to describe how well a film is doing. "The film is a hit at the box office." [citation needed] brass: A metal alloy (used for or in the manufacture of e.g. buttons, insignia and a family of musical instruments) Military and police officers, [5] often also referring to managers/bosses outside the uniformed [citation needed] bullpen
Synecdoche is a rhetorical trope and a kind of metonymy—a figure of speech using a term to denote one thing to refer to a related thing. [9] [10]Synecdoche (and thus metonymy) is distinct from metaphor, [11] although in the past, it was considered a sub-species of metaphor, intending metaphor as a type of conceptual substitution (as Quintilian does in Institutio oratoria Book VIII).
Antiphrasis: a name or a phrase used ironically such that it is obvious of what the true intention is: see verbal irony. Antonomasia: substitution of a proper name for a phrase or vice versa. Aphorism: briefly phrased, easily memorable statement of a truth or opinion, an adage. Aporia: faked or sincere puzzled questioning.
" Örökrangadó derby", the name of a football match contested between MTK Budapest and Ferencváros in Hungary. The name literally translates as "Derby Derby" in Hungarian. "Over exaggerate." An exaggeration is an overstatement, so the over is implied. To "over exaggerate" something means to "over-overstate" it.
Reductio ad absurdum, painting by John Pettie exhibited at the Royal Academy in 1884. In logic, reductio ad absurdum (Latin for "reduction to absurdity"), also known as argumentum ad absurdum (Latin for "argument to absurdity") or apagogical arguments, is the form of argument that attempts to establish a claim by showing that the opposite scenario would lead to absurdity or contradiction.