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Some music teachers teach their students relative pitch by having them associate each possible interval with the first interval of a popular song. [1] Such songs are known as "reference songs". [ 2 ] However, others have shown that such familiar-melody associations are quite limited in scope, applicable only to the specific scale-degrees found ...
The following is a list of commonly used chord progressions in music. Code Major: Major: Minor: ... Chromatic descending ... List of pitch intervals; List of musical ...
The descending 5-6 sequences, also known as descending third sequences, consist of a series of chords whose root notes descend by a third each sequential repetition. [8] The basic pattern of a descending 5-6 sequence (with intervening chords removed) in C major. The pattern in the lower staff descends by a third each time in this sequence. Play ⓘ
The song opens with a pattern of descending phrases – in essence, the hook of the song – presented with a soothing predictability, almost as if the future direction of the melody is dictated by the opening five notes. The harmonic progression, for its part, rarely departs from the circle of fifths. [21] Jerome Kern, "All the Things You Are ...
Descending: Downwards melodic movement (prevalent in the New World and Australian music). Undulating: Equal movement in both directions, using approximately the same intervals for ascent and descent (prevalent in Old World culture music). Usually concludes with a descending progression.
Main intervals from C. In Western music theory, an interval is named according to its number (also called diatonic number, interval size [6] or generic interval [7]) and quality. For instance, major third (or M3) is an interval name, in which the term major (M) describes the quality of the interval, and third (3) indicates its number.
The Grandmother chord is an eleven-interval, twelve-note, invertible chord with all of the properties of the Mother chord. Additionally, the intervals are so arranged that they alternate odd and even intervals (counted by semitones) and that the odd intervals successively decrease by one whole-tone while the even intervals successively increase by one whole-tone. [13]
Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual 15 equal temperament: 15-tet scale on C. Play ⓘ — — — 15 — — — 16 equal temperament: 16-tet scale on C. Play ⓘ — — — 16 — — 17 equal temperament: 17-tet scale on C. Play ⓘ — — — 17 — — 19 ...