Search results
Results from the WOW.Com Content Network
A Dictionary of Musical Themes (New York: Crown, 1949) is a music reference book by Sam Morgenstern and Harold Barlow. Contents.
A theme that is repeated and imitated and built upon by other instruments with a time delay, creating a layered effect; see Pachelbel's Canon. cantabile or cantando In a singing style. In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena
Main page; Contents; Current events; Random article; About Wikipedia; Contact us
The Parsons code, formally named the Parsons code for melodic contours, is a simple notation used to identify a piece of music through melodic motion – movements of the pitch up and down. [1] [2] Denys Parsons (father of Alan Parsons [3]) developed this system for his 1975 book The Directory of Tunes and Musical Themes. Representing a melody ...
Music based on a single theme is called monothematic, while music based on several themes is called polythematic. Most fugues are monothematic and most pieces in sonata form are polythematic. [8] In the exposition of a fugue, the principal theme (usually called the subject) is announced successively in each voice – sometimes in a transposed form.
A Dictionary of Musical Themes; Dictionnaire universel des luthiers; E. Eerste Nederlandse Pop Encyclopedie; Encyclopedia of Australian Rock and Pop; The Encyclopedia ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Motivic saturation is the "immersion of a musical motif in a composition", i.e., keeping motifs and themes below the surface or playing with their identity, and has been used by composers including Miriam Gideon, as in "Night is my Sister" (1952) and "Fantasy on a Javanese Motif" (1958), and Donald Erb.