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"Cielito Lindo" is a Mexican folk song or copla popularized in 1882 by Mexican author Quirino Mendoza y Cortés (c. 1862 – 1957). [1] It is roughly translated as "Lovely Sweet One". Although the word cielo means "sky" or "heaven", it is also a term of endearment comparable to "sweetheart" or "honey".
José L. Hernández (born 27 August 1958) is a Mexican mariachi musician.. Hernández is the youngest of eight children (Esteban and Maria Eva Hernández, parents). He is the founder of Mariachi Sol de Mexico and also Mariachi Reyna de Los Angeles, [1] America's first all-female professional mariachi ensemble.
There are several different choruses for this song. One of the most popular in the United States of America is sung to the tune of the traditional Mexican song, "Cielito Lindo" and usually goes like this: I-Yi-Yi-Yi, In China, they never eat chili So here comes another verse worse than the other verse So waltz me around again, Willie. [2]
Lorenzo Antonio (born Lorenzo Antonio Sánchez Pohl October 3, 1969, in Albuquerque, New Mexico, United States), is an American Latin music singer-songwriter, who is known and recognized in Mexico, the United States, and Latin America.
Las Canciones de mi Padre also is the only recording production in the world that used the three best Mariachi bands in the world: Mariachi Vargas, Mariachi Los Camperos and Mariachi Los Galleros de Pedro Rey. As of 2012, Canciones de Mi Padre had sold nearly 10 million copies worldwide.
"You, Me, and Us" is a popular song published in 1956, with music based on the Mexican traditional folk song, "Cielito Lindo". [1] The song is credited to John Jerome for both words and music, but undoubtedly only the lyrics were actually his creation. A recording made by Alma Cogan was popular in 1957.
Mariachi Vargas De Tecalitlán is a Mexican folk ensemble of mariachi music founded in 1897 by Gaspar Vargas. Beginning in 1950 it was under the artistic guidance of the late Rubén Fuentes . The group's musical direction had been the responsibility of Don Jose "Pepe" Martínez from 1975 to around 2013-14.
The song is a typical ranchera, with mariachi choruses and lyrics dealing with life in a traditional Mexican ranch.The American arrangement of the song was copyrighted as a "rumba", [10] a term largely used in the US to denote Americanized Afro-Cuban and Latin ballroom music According to the book The Course of Mexican Music,