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In ancient Greek religion, The Gaze of Orpheus is derived from the antiquarian Greek myth of Orpheus and Eurydice. In the story of Orpheus, the poet descends to the underworld to retrieve his wife, Eurydice from premature death, only on Hades’ and Persephone's condition that he does not look at her during the process.
L'anima del filosofo, ossia Orfeo ed Euridice (The Soul of the Philosopher, or Orpheus and Euridice), Hob. 28/13, is an opera in Italian in four acts by Joseph Haydn and is one of the last two operas written during his life, the other being Armida (1783).The libretto, by Carlo Francesco Badini, is based on the myth of Orpheus and Euridice as told in Ovid's Metamorphoses.
The Orphic Argonautica or Argonautica Orphica (Ancient Greek: Ὀρφέως Ἀργοναυτικά) is a Greek epic poem dating from the 4th century CE. [1] It is narrated in the first person in the name of Orpheus and tells the story of Jason and the Argonauts.
Roman mosaic of Orpheus, the mythical poet to whom the Orphic Hymns were attributed, from Palermo, 2nd century AD [32]. The collection's attribution to the mythical poet Orpheus is found in its title, "Orpheus to Musaeus", [33] which is the heading of the proem (an address from the poet to the legendary author Musaeus of Athens, which precedes the rest of the collection); [34] this address to ...
He is best known for his book The Arts of Orpheus (1941), in which he analysed a large number of sources for Orphism and Orphic literature. His work is noted for its thoroughly sceptical approach to the evidence, attempting to the repudiate the notions of a coherent Orphism put forward by earlier scholars. [ 2 ]
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Orfeusz i Eurydyka (Orpheus and Eurydice [1]) is a poetry collection by Czesław Miłosz. It was first published in 2003 in Polish and translated same year to English, German and Swedish. It was first published in 2003 in Polish and translated same year to English, German and Swedish.
Orpheus then introduces seven new characters who will be better representatives of the human condition (and who will become the main characters of Part II, Sette canzoni). They file silently onto and off the stage as the commedia dell'arte players protest from the cupboard that they will starve to death.