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"When You're Gone" debuted at the peak of number three on the UK Singles Chart dated December 12, 1998, where it remained on the chart for 15 weeks. [27] The song sold 921,000 combined equivalent-sales in the United Kingdom as of May 2021, [ 28 ] and was certified platinum by the British Phonographic Industry (BPI) as a result. [ 29 ] "
"When You're Gone" is a pop-rock song that lyrically sees Mendes singing about the end of a relationship, similar to his previous single from late 2021, "It'll Be Okay". Transitioning from the first verse to the chorus, he sings: "It's hard for me to let go of you / So I'm trying to hold on, hold on / I don't wanna know what it's like when you ...
"On a Day Like Today" was the first single released.It reached number thirteen in the UK and number one on the Canadian Singles Chart.Follow-up single "When You're Gone", featuring Melanie C, reached number three in the UK, and was in the top-ten for ten weeks, while peaking at number eleven in Canada.
When You're Gone may refer to: "When You're Gone" (Avril Lavigne song), 2007 "When You're Gone" (Bryan Adams song), 1998 "When You're Gone" (The Cranberries song), 1996; When You're Gone (Jesse Stewart), 2017; When You're Gone (Shawn Mendes song), 2022 "When You're Gone", a US bonus song on Richard Marx's 2004 album My Own Best Enemy "When You ...
"Better When You're Gone" is a song by French DJ David Guetta, Dutch DJ Brooks, and American pop duo Loote. It was released as a single on 8 February 2019 by What a Music. [ 1 ] The song was written by the artists alongside Ido Zmishlany and Jeremy Dussoliet.
A new study found a link between cytomegalovirus (CMV) and Alzheimer's disease. Here's what a neurologist wants you to know, plus how to protect yourself.
LONDON/SINGAPORE (Reuters) -European shares ticked up on Thursday after falling the previous day, while Asian stocks slipped, as trading volumes thinned ahead of the U.S. Thanksgiving holiday.
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
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