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"Seven Minutes to Midnight" was the second and final single released by Pete Wylie's Wah! Heat incarnation. The band had made major line-up changes and bass guitar player Pete Younger was replaced by Colm Redmond, then Carl Washington who became Wylie's right hand. The recording included keyboard player King Bluff for the first time.
Seven Minutes to Midnight", a 1980 single by Wah! Heat, refers to that year's change of the Doomsday Clock from nine to seven minutes to midnight. Australian rock band Midnight Oil's 1984 LP Red Sails in the Sunset features a song called "Minutes to Midnight", and the album's cover shows an aerial-view rendering of Sydney after a nuclear strike.
Seven Minutes to Midnight may refer to: Doomsday Clock, a symbolic clock face, representing a countdown to possible global catastrophe "Seven Minutes to Midnight" (Heroes), an episode of the science fiction drama series Heroes "Seven Minutes to Midnight" (song), a song by Pete Wylie's Wah! Heat
The title and lyrics of the song allude to the Doomsday Clock, a symbolic timepiece published by the Bulletin of the Atomic Scientists, which represents the proximity of nuclear war (or more generally "catastrophic destruction"), designated as "midnight". Nuclear confrontation was pertinent at the time of this song, the clock having regressed ...
Boys is a 2003 Indian Tamil-language coming-of-age musical film directed by S. Shankar. It stars newcomers Siddharth, Bharath, Manikandan, S. Thaman, Nakkhul and Genelia, in her Tamil debut.The score and soundtrack are composed by A. R. Rahman. The story revolves around six youngsters, who experience the downfalls of adolescent life.
Boys Like Girls (album) From a song : This is a redirect from a song title to a more general, relevant article such as an album, film or artist where the song is mentioned. Redirecting to the specific album or film in which the song appears is preferable to redirecting to the artist when possible.
English dance music duo Coldcut were commissioned to produce a remix of the song to be included on the "Paid in Full" single, with the result being given the subtitle "Seven Minutes of Madness". [2] When "Paid in Full" was eventually released as the album's fifth and final single, it became a hit in American clubs. [ 2 ]
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