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"Not surprisingly, his [Pajeot's] style of work strongly influenced his contemporaries, and his ideas can be glimpsed in the later works of Nicolas Harmand, Jean Adam (bow maker) (Dominique GrandAdam) and his son Jean, Charles Guinot, Joseph Gaudé, Georges Ury, and Nicolas Mauchard, this last almost certainly a pupil or employee for many years."
"Victor's best bows can be superb playing tools. Some examples which are mounted in G/T, are quite stunning." [9] Gennady Filimonov "Victor Fetique was capable of producing some very good bows, but the attention of his atelier seemed to focus on quantity, and thus the output is frequently of a more commercial quality." [10] Stefan Hersh
A bow maker/archetier is a person who builds, repairs or restores ancient or modern bows for bowed string instruments Pages in category "Bow makers" The following 74 pages are in this category, out of 74 total.
Roger François Lotte (b. 1922 - d. 1989) was a French archetier and bow maker, son of François Lotte and Marguerite Ouchard. Roger studied the art of bow making with his father and took over his shop around 1960. He made bows for: George Deblaye, Dupuy, Léon Mougenot, Étienne Vatelot, Roger & Max Millant and Bernard Millant amongst
In his Mirecourt workshop, he employed some of the most famous bow makers. In the first six years of the 1900s there were between 12 and 17 makers producing some 2 000 - 3 000 quality bows a year. The makers included: Fetique Brothers, Claude Husson, Granier, Lorange, Tournier, Delprato, Ouchard, Jacquemin, Dumont, Couturieux, Richaume ...
Up until the standardization of the bow by François Tourte in 1785, most bows with rare exceptions remained anonymous (before 1750). [3] And although François Tourte attained an enormous measure of fame in his own lifetime, the tradition of the anonymous bow maker was still so strong that theorists like Woldemar and Fetis called Tourte's new-model bow not the Tourte bow but the Viotti bow ...
William Charles Retford (1875–1970) and William R. Retford (1899–1960) were English musical instrument bow-makers, working for the firm of W.E. Hill & Sons. Retford is recognized as developing the Hill bow, along with Alfred Hill. William C. Retford was a perfectionist who became known as the best bow craftsman of his time.
Keith M. Peck (1953–1998) was a highly acclaimed American bow maker from Evanston, Illinois. His bows are used on instruments such as those created by master makers Giuseppe Guarneri, Giovanni Battista Guadagnini, Giovanni Grancino, Jean-Baptiste Vuillaume, and many others. Peck began playing cello at age nine. He assembled his first cello ...
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