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A commemorative plaque, or simply plaque, or in other places referred to as a historical marker, historic marker, or historic plaque, is a plate of metal, ceramic, stone, wood, or other material, bearing text or an image in relief, or both, to commemorate one or more persons, an event, a former use of the place, or some other thing. Most such ...
Laser engraving metal plates are manufactured with a finely polished metal, coated with an enamel paint made to be "burned off". At levels of 10 to 30 watts, excellent engravings are made as the enamel is removed quite cleanly. Much laser engraving is sold as exposed brass or silver-coated steel lettering on a black or dark-enamelled background.
Stone rubbing at the Vietnam Veterans Memorial A National Park Service volunteer kneels and uses paper and a graphite stick to create a rubbing of a name from the Vietnam Veterans Memorial.
The plaques (which could be described as large plaquettes) about 120 mm (4.7 in) in diameter, were cast in bronze, and came to be known as the Dead Man's Penny or Widow's Penny because of the superficial similarity to the much smaller penny coin (which had a diameter of only 30.86 mm (1.215 in)). 1,355,000 plaques were issued, which used a ...
Mourning stationery is a letter, envelope, or calling card with a black border, used to signify that a person is experiencing mourning. [1] [2] It was first used in the 17th century in Europe and was most popular during the Victorian era, during which it was also used in the United States and West Africa. [1] [3] [4] [5]
These early examples reflect the pessimistic Puritan outlook of the time in that they do not mention an afterlife or the resurrection of the dead, and the text often includes imagery of worms, decay and dust. It is only on the much later cherub stones that more personalized goodbyes to loved ones, or mention of an afterlife, begin to appear: [45]
Engraving had been used by goldsmiths to decorate metalwork, including armor, musical instruments and religious objects since ancient times, and the niello technique, which involved rubbing an alloy into the lines to give a contrasting color, also goes back to late antiquity. Scholars and practitioners of printmaking have suggested that the ...
The poem's first four lines are engraved on one of the stones of the Everest Memorial, Chukpi Lhara, in Dhugla Valley, near Everest. Reference to the wind and snow and the general theme of the poem, the absence of the departed, particularly resonate with the loved ones of those who "disappeared" in the mountain range to whom the memorial is ...
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