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Object abstraction, or simply abstraction, is a concept wherein terms for objects become used for more abstract concepts, which in some languages develop into further abstractions such as verbs and grammatical words (grammaticalisation). Abstraction is common in human language, though it manifests in different ways for different languages.
Moreover, studies that have been conducted on abstract and concrete words have also found that the participants remembered concrete words better than the abstract words. [ 8 ] [ 9 ] [ 10 ] Paivio found that participants when shown a rapid sequence of pictures as well as a rapid sequence of words and later asked to recall the words and pictures ...
In philosophy and the arts, a fundamental distinction is between things that are abstract and things that are concrete. While there is no general consensus as to how to precisely define the two, examples include that things like numbers, sets, and ideas are abstract objects, while plants, dogs, and planets are concrete objects. [1]
The English word noun is derived from the Latin term, through the Anglo-Norman nom (other forms include nomme, and noun itself). The word classes were defined partly by the grammatical forms that they take. In Sanskrit, Greek, and Latin, for example, nouns are categorized by gender and inflected for case and number.
A lexeme (/ ˈ l ɛ k s iː m / ⓘ) is a unit of lexical meaning that underlies a set of words that are related through inflection.It is a basic abstract unit of meaning, [1] a unit of morphological analysis in linguistics that roughly corresponds to a set of forms taken by a single root word.
Concrete poetry relates more to the visual than to the verbal arts although there is a considerable overlap in the kind of product to which it refers. Historically, however, concrete poetry has developed from a long tradition of shaped or patterned poems in which the words are arranged in such a way as to depict their subject.
The text is divided between the first three heterogeneous chapters defining abstract words and the last sixteen semantically arranged chapters defining concrete words. The last seven – concerning grasses , trees , insects and reptiles , fish , birds , wild animals , and domestic animals – describe more than 590 kinds of flora and fauna .
Paradigmatically, universals are abstract (e.g. humanity), whereas particulars are concrete (e.g. the personhood of Socrates). However, universals are not necessarily abstract and particulars are not necessarily concrete. [3] For example, one might hold that numbers are particular yet abstract objects.