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"It Must Have Been Love", originally "It Must Have Been Love (Christmas for the Broken Hearted)", is a song written by Per Gessle and performed by the Swedish pop duo Roxette. The power ballad [ 2 ] [ 3 ] became the duo's third number one hit in the United States, [ 4 ] and is one of their best selling releases, being certified gold or platinum ...
"Treasure of Love" is a song written by Joe Shapiro and Lou Stallman and performed by Clyde McPhatter and the Drifters. [1] It was featured on their 1956 album Clyde McPhatter & The Drifters. [2] "Treasure of Love" reached No. 1 on the U.S. R&B chart, No. 16 on the U.S. pop chart. [3] Overseas, the song went to No. 27 on the UK Singles Chart. [4]
"A Lover's Question" is a 1958 Pop, R&B hit for Clyde McPhatter. The single was written by Brook Benton and Jimmy T. Williams and was Clyde McPhatter's most successful Pop and R&B release. The bass singer is Noah Hopkins. "A Lover's Question" made it to #6 on the Billboard Hot 100 and was #1 for one week on the R&B chart. [2]
"It Must Be Love" is a song written by Bob McDill, and recorded by American country music artist Don Williams. It was released in July 1979 as the third single from the album Expressions. The song was Williams' ninth Number One single on the U.S. Billboard Hot Country Singles charts. [1]
Ben appears later making ghostly sounds to delay Long John Silver's party on its search for the treasure, but Silver recognizes his voice, which restores the pirates' confidence. They forge ahead and locate the place where Flint's treasure was buried. The pirates discover that the cache has been rifled and all of the treasure is gone.
The inclusion of the song has caused some fans to spiral over the idea that “Lover” and some of Swift’s other love songs about Alwyn — including “Sweet Nothing” — represent what it ...
Jones composed "Treasure of Love" with J. P. Richardson, better known as the Big Bopper, who also wrote Jones' first No. 1 country hit "White Lightning."Jones biographer Bob Allen describes Jones' "languid, drawling" singing as "more reminiscent of the diphthong-twisting style of Oklahoma honky-tonk king Hank Thompson than anything he'd ever recorded."
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