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Dance Music Authority (DMA) Dance Music Report (formerly Disco News, later DMR) Dancing Astronaut; Death to the World; De:Bug; Decibel; Deep Water Acres; The Deli; denim delinquent; Diapason; Digital Music News; Dirty Linen; Disc; Disco 45; Discografia Internazionale; DIY; DJ Magazine (or DJ Mag) Dork; Double Dance; DownBeat; Drowned in Sound ...
Pages in category "Defunct music magazines published in the United States" The following 51 pages are in this category, out of 51 total. This list may not reflect recent changes .
Pages in category "Music magazines published in Italy" The following 11 pages are in this category, out of 11 total. This list may not reflect recent changes. B.
M Music & Musicians; Magnet (magazine) Matter (music magazine) The Maud Powell Signature, Women in Music; Maximum Rocknroll; Mean (magazine) Metal Edge; Metal Maniacs; Metronome (magazine) Mix (magazine) Modern Drummer; Music Connection; The Music Trades; Musical Courier; The Musical Leader; The Musical Messenger (Montgomery, Alabama) MusicRow
The Music Trades is a 133-year-old American trade magazine that covers a broad spectrum of music and music commerce, domestically and abroad. Founded in New York City in 1890, it has been based in Englewood, New Jersey, since the mid-1970s. The Music Trades is one of the oldest continuously published trade publications in the world.
Pages in category "Online music magazines published in the United States" The following 68 pages are in this category, out of 68 total. This list may not reflect recent changes .
Musician was a monthly magazine that covered news and information about American popular music. First called Music America , it was founded in 1976 by Sam Holdsworth and Gordon Baird. The two friends borrowed $20,000 from relatives and started the publication in a barn in Colorado .
The sound is used in pop, hip hop, jazz fusion, techno, and video game genres to accentuate passages of music. [3] The orchestra hit has been identified as a "hip hop cliché". [4] In 1990, Musician magazine stated that Fairlight's ORCH5 sample was "the orchestral hit that was heard on every rap and techno-pop record of the early 1980s". [5]