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Realizing one of the two Mustangs was an S-code, Garcia had the car authenticated by Kevin Marti. The authentication revealed this to be the lost Bullitt car. In 2017, Sanchez and Garcia began to give the car a full restoration. [66] [67] Stunt driver Bill Hickman provided two 1968 Dodge Chargers, which were painted black for use in the film ...
As with Bullitt, The French Connection (also produced by Bullitt's producer, Philip D'Antoni) is famed for its car-chase sequence. What differs from the usual car chase is that Hackman's character is chasing an elevated train from the street below (the scene was filmed in Bensonhurst, Brooklyn, with most of the action taking place on 86th Street).
Frank P. Keller (February 4, 1913 – December 25, 1977) was an American film and television editor with 24 feature film credits from 1958 - 1977. [1] [2] He is noted for the series of films he edited with director Peter Yates, for his four nominations for the Academy Award for Best Film Editing ("Oscars"), and for the "revolutionary" [3] car chase sequence in the film Bullitt (1968) that ...
Replica of motorcycle used by Ekins for stunts in the film The Great Escape.. Through his association with McQueen, Ekins began a career as a film stuntman. [2] Ekins is best known as the actor who jumped the fence on a motorcycle in the 1963 film The Great Escape, and one of the stuntmen who drove the Ford Mustang 390 GT in the car chase scene in the 1968 film Bullitt.
Car chases are often captured on news broadcast due to the video footage recorded by police cars, police aircraft, and news aircraft participating in the chase. Car chases are also a popular subject with media and audiences due to their intensity, drama and the innate danger of high-speed driving, and thus are common content in fiction ...
[8] [9] While working on Bullitt, one of his fellow stuntmen called him "the greatest car man in the business". [1] Loftin was also involved in the filming of the car chase scene in the 1971 film The French Connection, which is also considered one of the most impressive car chases in film history.
He was also influenced by his work as a second assistant director on Bullitt (1968), which featured a famous car chase. What fascinated Hill on Bullitt was the abundance of shots captured from inside the cars, which compelled him to film the same amount on The Driver. [8] Production wrapped on the film April 1978. [16]
Beyond critical opinion, the location-shot car chase at the beginning of the film has been very influential. It was seen by Steve McQueen and led him and producer Philip D'Antoni to approve Yates as the director of Bullitt (1968). [14] The car chase in Bullitt has been called "revolutionary" and "one of the most exciting car chases in film ...