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Music of Minang is a traditional and contemporary ethnic variety of Indonesian music that grows and develops in the Minangkabau culture. [1] [2] [3] Music is generally played by musical instruments such as talempong, saluang, Minang rabab, serunai, rebana, aguang , gandang, gambus, and violin. However, for traditional events such as weddings ...
Orkes Gumarang (English: Gumarang Band) was a pioneering group in the Indonesian music industry active from the 1950s until the 1970s. The musicians were Minangkabau people, from West Sumatra, but recorded their music in Jakarta, far from their cultural heartland.
Indonesian regional folk pop musics reflects the diversity of Indonesian culture and Indonesian ethnicity, mostly use local languages and a mix of western and regional style music and instruments. Indonesian folk music is quite diverse, and today embraces pop, rock, house, hip hop and other genres, as well as distinct Indonesian forms.
Talempong is a traditional musical instrument of the Minangkabau people of Western Sumatra, Indonesia. The talempong produce a static texture consisting of interlocking rhythms. The talempong produce a static texture consisting of interlocking rhythms.
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The saluang is a traditional musical instrument of the Minangkabau people of West Sumatra, Indonesia. It is similar to the ney in general, in that it is an oblique flute, but made of bamboo. It is related to the suling of other parts of Indonesia. It is made of thin bamboo or "talang" (Schizostachyum brachycladum Kurz), [1] with 4 holes. The ...
Randai (from Minangkabau) is a folk theater tradition of the Minangkabau ethnic group in West Sumatra, Indonesia, which incorporates music, singing, dance, drama and the martial art of silat. Randai is usually performed for traditional ceremonies and festivals, and complex stories may span a number of nights. [1]
Moreover, because Indonesia is a country in which class differences are obvious, frequently acknowledged, and pervasive in social life, music industry workers tend to view the Indonesian popular music market not as an entity composed of an undifferentiated mass of consumers, but as a ladder of different socioeconomic classes.