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After the Bigsby, the next major development was Leo Fender's synchronized tremolo, the device that introduced the term tremolo arm (U.S. patent 2,741,146 filed in 1954, issued in 1956). [22] First released in 1954 on Fender 's Stratocaster , the simple but effective design offers a greater range of pitch change than the Bigsby, and a better ...
The only previously successful "tremolo arm" was the Bigsby vibrato tailpiece, often simply called a "Bigsby". In 1958, Fender reinforced his usage with the "Fender floating tremolo" on the Jazzmaster and some subsequent guitars. The "synchronised tremolo" became the most copied of these three basic patterns of "tremolo arm", although both of ...
The Fender Bronco was an electric guitar model produced by the Fender company from mid 1967 until 1981. [ 1 ] [ 2 ] It used the body and neck from the Fender Mustang , but had only one pickup and a different tremolo arm mechanism.
Bigsby B50 Tremolo Hardware. The Bigsby vibrato tailpiece (or Bigsby for short) is a type of mechanical vibrato device for electric guitar designed by Paul Bigsby and produced by the Bigsby Electric Guitar Company [citation needed] (currently an independently operated subsidiary of Fender Musical Instruments Corporation). The device allows ...
The supposed advantages of using a stoptail bridge over a tremolo bridge are: greater ability to keep the strings in tune, especially under the duress of hard note-bending; better string path stability and ability to intonate; and, better sustain due to a more direct resonance of the guitar's tonewood excited by the transmission of sound wave ...
The Fender Contemporary Telecaster models used the same tremolo systems as the Fender Contemporary Stratocaster models. Black Francis used a Fender Contemporary Telecaster in the Pixies and Neal Schon played a Contemporary Stratocaster in the music video for Journey's Separate Ways , also the band's first ever video.
Fender synchronized tremolo Sketch of Fender synchronized tremolo from 1954 patent application. . . The basis of the synchronized tremolo is a rigid assembly that incorporates both the bridge and tailpiece, which pivots on the guitar belly. In the original design, this was based on the principle of the 'knife edge' balance.
Earliest references to DeArmond's tremolo unit date to 1941. [2] Starting in the 1950s many companies began incorporating the effect into guitar amplifiers, including the Fender Tremolux and Vibrolux: Leo Fender marked the effect on Fender amplifiers as "vibrato", conversely calling the vibrato arm on his Fender Stratocaster a tremolo arm. [3]
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