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Telugu is an agglutinative language with person, tense, case and number being inflected on the end of nouns and verbs.Its word order is usually subject-object-verb, with the direct object following the indirect object.
Appa-kavi's Appakavīyamu is a work on grammar, and scholars Velcheru Narayana Rao and David Shulman call him "perhaps the most influential grammarian in Telugu". Only two chapters of this text survive - those on phonology and metrics.
passive possession: the house is owned Tlingit | Turkish † ^† A sentence with possessed case noun always has to include a possessive case noun. Possessive case: direct ownership: owned by the house English | Turkish: Privative case: lacking, without: without a house Chuvash | Kamu | Martuthunira | Wagiman: Semblative/Similative case ...
The latter, however, is a semantic notion that largely depends on how a culture structures the world, while obligatory possession is a property of morphemes. [4] In general, nouns with the property of requiring obligatory possession are notionally inalienably possessed, but the fit is rarely, if ever, perfect.
His thesis Telugu Verbal Bases (1961) is the first comprehensive account of comparative Dravidian phonology and derivational morphology of verbal bases in Dravidian from the standpoint of Telugu. His comprehensive grammar on koṃḍa or Kūbi is a monumental work in the area of non-literary Dravidian languages. [ 8 ]
The morphosyntactic differences are often referred to as possession split or split possession, which refer to instances of a language making a grammatical distinction between different types of possession. [14] In a language with possession split, grammatical constructions with alienable nouns will differ from constructions with inalienable nouns.
Vavilikolanu Subba Rao also regularly participated in Avadhana programmes. [citation needed]He had written a Telugu grammar book- Vyakarana Sarvaswam in three volumes. [4] He had also written Bhagavad Gita in Dwipada verse for easy and better understanding of laymen as well as students.
Avadhanis are respected for their abilities to spin out verses conforming to Telugu grammar on literally any subject that audience may throw at them, as a challenge. He has conducted more than 288 avadhanams , including Dvigunita Avadhanam at Dallas for the American Telugu Association in 2002.