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"Barnum and Bailey's Favorite" by Karl King (1892–1971) is a famous circus music piece. [11] Unlike Fučík, King grew up performing circus music joining Robinson's Famous Circus at the age of 19 as a baritone player. During that time circus music needed its own style because modern music did not fit with most of the acts that the circus ...
King's earliest known compositions date from 1909 with this, his most famous work, being composed in only his fifth year of composing. [1] King played Baritone horn in many circus bands including Barnum and Bailey's, for more than a decade. [1] As is common in his compositions, Karl King made the baritone part a major voice in the march. [2]
Screamers were mostly composed in a 60-year period (1895–1955). Circuses were in need of music that would stir the audience into a frenzy, as four-footed animals galloped across the ring. Because march music was a prominent part of American music at that time, and because it carried such a quick tempo, it was this that ringmasters demanded.
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There have been many famous modern circuses since the first modern circus was staged by Philip Astley in London on January 9, 1768. Many are best known by the name of their principal owner. The following is a list of both circuses and their country of origin.
In 1912, he performed in the Sells-Floto Circus under W.P. English (a famous march composer), and in 1913 in the Barnum and Bailey band under Ned Brill. At the request of Brill he wrote (and dedicated to Brill) "Barnum & Bailey's Favorite", his most famous march and possibly the most recognizable American music written specifically for the circus.
"The Stars and Stripes Forever" is considered Sousa's most famous composition. [3] A British journalist named Sousa "The March King", in comparison to "The Waltz King" — Johann Strauss II. [4] However, not all of Sousa's marches had the same level of public appeal. [2] Some of his early marches are lesser known and rarely performed. [2]
19 Songs "traditional" The Circus Band All summer long 56 H. or Ch. Ives The Collection Now help us, Lord 38 "stanzas from old hymns" The Coming of the Day Country Celestial Cradle Song Hush thee 33 19 Songs A. L. Ives December Last, for December 37 D. G. Rossetti, after San Geminiano: Disclosure Thoughts, which deeply rest 7 Ch. or H. Ives