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The Best of The Animals is the first greatest hits collection by the British rock group the Animals. MGM Records released the album in February 1966 in the United States. It showcases the Animals' tough-edged pop hits combined with their more devoted blues and R&B workouts.
Best of the Animals (ABKCO 4426, 1973, 2-LP set) Best of the Animals (Springboard 4025, 1973) Best of the Animals (ABKCO 4324, 1975, 1-LP --- first U.S. compilation to feature the UK "correct" version of "We Gotta Get Out of This Place") The Best of the Animals (ABKCO, 1988) The Complete Animals (EMI, 1990) The Best of Eric Burdon and the ...
The Greatest Hits of Eric Burdon and The Animals was the group's compilation representing the Animals' last three lineups, and showcased their venture into psychedelic rock. [ 1 ] [ 2 ] It was released in March 1969 in the US but never put out in the United Kingdom ; [ 3 ] it was the last album MGM Records would release in (more or less) the ...
The Animals performed fiery versions of the staple rhythm-and-blues repertoire, covering songs by artists such as Jimmy Reed, John Lee Hooker, and Nina Simone. Signed to EMI 's Columbia label, their first single was a rocking version of the standard "Baby Let Me Follow You Down" (retitled " Baby Let Me Take You Home ").
In the US the song (in its "mistaken" take) was included on the album Animal Tracks, released in the autumn of 1965, and again on the popular compilation The Best of The Animals released in 1966 and re-released with an expanded track list on the ABKCO label in 1973. The song was not on any British Animals album during the group's lifetime.
1966 The Best of the Animals, No. 6 in US; 1966 The Most of Animals (UK), No. 4 in UK; 1967 The Best of Eric Burdon & The Animals, Vol. II, No. 71 in US; 1969 The Greatest Hits of Eric Burdon and The Animals, No. 153 in US; 1971 The Most of Animals, No. 18 in UK; 1973 The Best of The Animals (double album), No. 188 in US
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The Animals is the American debut studio album by the British Invasion group, the Animals. Released in late summer 1964, the album introduced the States to the "drawling, dirty R&B sound (with the emphasis on the B)" [ 2 ] that typified the group.