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Hoodlum Movies: Seriality and the Outlaw Biker Film Cycle, 1966-1972. Rutgers University Press. ISBN 978-0-8135-9901-4. Stidworthy, David (2024). High on the Hogs: A Biker Filmography. McFarland. ISBN 978-1-4766-1131-0. Wooley, John; Price, Michael H. (2005). The Big Book Of Biker Flicks: 40 Of The Best Motorcycle Movies Of All Time. Hawk Pub ...
Biker Queen is finally able to get the bus started, and as they leave, Tat Girl sets Hobo and a monster on fire, who then fall out of the back of the bus. The bus emerges from underground with Biker Queen and Tat Girl intending to abandon the remaining survivors; however, the bus dies just as the other survivors catch up.
(1969), Wild Wheels (1969), and Nam's Angels (1970). Other small independent filmmakers went on to produce dozens of low-budget biker films until the trend dissipated in the early '70s. Crown International produced and/or distributed Wild Rebels (1967), The Hellcats (1968), The Sidehackers (1969), Wild Riders (1971), and Pink Angels (1972).
Psychomania (U.S. title:The Death Wheelers) [1] is a 1973 British outlaw biker supernatural horror film directed by Don Sharp, and starring Nicky Henson, Beryl Reid, George Sanders (in his final film), and Robert Hardy. [2] [3] [4] The plot follows the adolescent leader of a biker gang, who has started practicing black magic. After meeting the ...
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She-Devils on Wheels is a 1968 American exploitation biker film about an all-female motorcycle gang called The Man-Eaters, directed and produced by Herschell Gordon Lewis. [2] Actual female motorcycle club members were cast for the film, who were from the Iron Cross motorcycle club's Cut-Throats Division.
In Southern California, a distinct growl of car engines are heard on the boulevards, led not by stereotypically macho characters often portrayed in street-racing films like Fast and Furious, but ...
The Wild Angels is a 1966 American independent [3] outlaw biker film produced and directed by Roger Corman. Made on location in Southern California, The Wild Angels was the first film to associate actor Peter Fonda with Harley-Davidson motorcycles and 1960s counterculture. It inspired the biker film genre that continued into the early 1970s.