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Grant DeVolson Wood (February 13, 1891 – February 12, 1942) was an American artist and representative of Regionalism, best known for his paintings depicting the rural American Midwest. He is particularly well known for American Gothic (1930), which has become an iconic example of early 20th-century American art .
American Gothic is a 1930 oil on beaverwood painting by the American Regionalist artist Grant Wood. Depicting a Midwestern farmer and his daughter standing in front of their Carpenter Gothic style home, American Gothic is one of the most famous American paintings of the 20th century and is frequently referenced in popular culture. [1] [2]
While her paintings are not overtly Christian—she was an avowed communist—they certainly contain elements of the macabre Mexican Christian style of religious paintings. Grant Wood, 1930, Social Realism. American Gothic portrays a pitchfork-holding farmer and a younger woman in front of a house of Carpenter Gothic style.
Pages in category "Paintings by Grant Wood" The following 7 pages are in this category, out of 7 total. This list may not reflect recent changes. A. American Gothic;
In both paintings, the central profile is "neatly" set apart from the background, looking at the viewer with a serious gaze; a figure with a distant look was a typical element of della Francesca's art. [7] The paintings also have two trees framing them: in Wood, one young and one mature, and in della Francesca, one bare and one full of leaves. [8]
The American Gothic House, also known as the Dibble House, is a house in Eldon, Iowa, designed in the Carpenter Gothic style with a distinctive upper window. [3] It was the backdrop of the 1930 painting American Gothic by Grant Wood, generally considered Wood's most famous work and among the most recognized paintings in twentieth century American art.
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Stone City, Iowa is a 1930 painting by the American artist Grant Wood.It depicts the former boomtown of Stone City, Iowa.It was Wood's first major landscape painting. It is a study of a real place with which Wood was thoroughly familiar, but the landscape has been given fantastical curvy shapes, the trees are ornamental, and the bright surfaces are artificially patterned.