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Infestissumam (misspelling of a Latin superlative adjective meaning very or most hostile, [3] used by the band as "the most hostile" [4] or "the biggest threat" in reference to the Antichrist) [5] is the second studio album by the Swedish rock band Ghost.
(note that Kvällstoppen was a combined singles and album chart, with singles dominating a large portion of the 1960s. The first album to reach number one was Abbey Road by the Beatles in 1969, and the first Swedish-language album was Cornelis sjunger Taube by Cornelis Vreeswijk that same year)
Number-one albums of 2024 in Finland Week Album Artist(s) Reference(s) Week 1 Räppäri: Ibe [1]Week 2 Soittorasia: Pehmoaino [2]Week 3 [3]Week 4 [4]Week 5
If You Have Ghost is the first EP by Swedish rock band Ghost.It was produced by Dave Grohl and released on 20 November 2013 by Republic Records.Four of the five tracks are covers of other acts; "I'm a Marionette" and "Waiting for the Night" were originally released on various editions of Ghost's second album, Infestissumam, while the two others were newly recorded.
Opus Eponymous is the debut studio album by the Swedish rock band Ghost.It was released on 18 October 2010, on the independent record label Rise Above.It was released in North America on 18 January 2011, [2] and in Japan on 6 April 2011.
The band's second album, Infestissumam, was released in 2013. Due to a legal dispute over the band's name, they were forced to release the album using the name "Ghost B.C." in the United States. [15] Forge performed as Papa Emeritus II for this album, as well as the subsequent EP, If You Have Ghost (2013).
The discography of Ghost, a Swedish rock band, consists of five studio albums, two live albums, four extended plays (EPs), thirteen singles and fourteen music videos.Formed in Linköping in 2008, Ghost (formerly known as Ghost B.C. in the US) is composed of nine anonymous members – vocalist Papa Emeritus (revealed in 2017 to be Tobias Forge; all of the band's other frontmen are Forge under a ...
Loudwire referred to "Year Zero" as possibly the standout track of Infestissumam. [4] About the song, Spin wrote that "Satanic-choir hooks flow into comparatively restrained, melodic verses that are somehow even more sinister."