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A bow maker/archetier is a person who builds, repairs or restores ancient or modern bows for bowed string instruments Pages in category "Bow makers" The following 74 pages are in this category, out of 74 total.
Served his apprenticeship in Mirecourt (his hometown). His early style of bow making was very much influenced by the Adam school. He produced excellent bows. He also made many instruments including an occasional guitar. According to Mr. Bernard Millant and Mr. Raffin, Joseph Gaude may have worked for the Etienne Pajeot firm around 1835. At this ...
Cultures that used composite bows (bows made of several materials, classically horn, wood, and sinew) had to rely on skilled craftsmen. Composite bows could be made relatively short, heavily recurved, and highly effective but the constituent materials had to be put under enormous stress and the bow's limbs needed to be perfectly aligned.
Joseph Fonclause (Claude Joseph 'le Mayeux' Fonclauze) (1799–1862) was a French archetier/bow maker. Went to Paris to work for Lupot, Tourte and Vuillaume. From 1840 he worked alone. Most of his bows are stamped. Early in his career, he followed the Pajeot style.
James Tubbs (1835 – 1921) is one of the most celebrated English bow makers, and is considered "The English Tourte". Together with his son Alfred (d. 1912), he produced more than 5,000 bows. It is generally accepted that James Tubbs ranks among the five or six most important bow makers in history. [1] "The Tubbs family made bows and ...
Up until the standardization of the bow by François Tourte in 1785, most bows with rare exceptions remained anonymous (before 1750). [3] And although François Tourte attained an enormous measure of fame in his own lifetime, the tradition of the anonymous bow maker was still so strong that theorists like Woldemar and Fetis called Tourte's new-model bow not the Tourte bow but the Viotti bow ...
Ben Pearson was born November 16, 1898, in Paron, Arkansas. He made his first bow based on articles for Boy Scouts by Dan Beard. In 1926, Pearson entered the state championships using his own equipment; finishing second to last. He made new equipment, and in 1927. he became the Arkansas State Champion.
Those made by him have a distinctive charm and grace, being elegant with a flowing line created by a gently swept-back head. The bows are greatly appreciated and sought after by players. A full account of the lives and work of the Pajeot family is given in S. Bowden: Pajeot, Bow Makers of the 18th and 19th Centuries (London, 1991). [2] - SIDNEY ...
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