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Film splicer. A film splicer (also called a film joiner, usually in Europe) is a device which can be used to physically join lengths of photographic film. It is mostly used in film motion pictures. The units are made in various types depending on the usage: Single-8, Super 8 film, 16mm, 9,5 mm, 35mm and 70mm. Used in film editing to make a cut ...
Super 8 camera from ca. 1966. Super 8 spools with film. Super 8 spool box 400 ft with splice instructions etc. Super 8 mm film is a motion-picture film format released in 1965 [1][2][3] by Eastman Kodak as an improvement over the older "Double" or "Regular" 8 mm home movie format. Super 8 spool with film - detail "Insert film here".
Released. 1984. The 8mm video format refers informally to three related videocassette formats. These are the original Video8 (analog recording) format and its improved successor Hi8 (analog video and analog audio but with provision for digital audio), as well as a more recent digital recording format known as Digital8.
From Wolverine to Legacybox, here are four of the best film converters that you can buy online.
Standard 8 mm film, also known as Regular 8 mm, Double 8 mm, Double Regular 8 mm film, or simply as Standard 8 or Regular 8, is an 8 mm film format originally developed by the Eastman Kodak company and released onto the market in 1932. Super 8 (left) and Regular 8 mm (right) film formats. Magnetic sound stripes are shown in gray.
8 mm film. 8 mm film is a motion picture film format in which the film strip is eight millimetres (0.31 in) wide. It exists in two main versions – the original standard 8 mm film, also known as regular 8 mm, and Super 8. Although both standard 8 mm and Super 8 are 8 mm wide, Super 8 has a larger image area because of its smaller and more ...
Among the titles that were released on Super 8 mm/8 mm format were: America starring Neil Hamilton. Blood and Sand starring Rudolph Valentino. Broken Blossoms starring Lillian Gish. Civilization directed by Thomas Ince. College starring Buster Keaton. Don Q Son of Zorro starring Douglas Fairbanks. Down to the Sea in Ships starring Clara Bow.
An influential arena for the great split screen movies of the 1960s were two world's fairs - the 1964 New York World's Fair, where Ray and Charles Eames had a 17-screen film they created for IBM's "Think" Pavilion (it included sections with race car driving) and the 3-division film To Be Alive, by Francis Thompson, which won the Academy Award that year for Best Short.
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