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Along with Chinese folklore, Chinese mythology forms an important part of Chinese folk religion (Yang et al 2005, 4). Many stories regarding characters and events of the distant past have a double tradition: ones which present a more historicized or euhemerized version and ones which presents a more mythological version (Yang et al 2005, 12–13).
The story also inspired the production of Butterfly Lovers' Violin Concerto, or Liang Zhu Violin Concerto as known in Chinese, a work for violin and orchestra. It was composed by He Zhanhao and Chen Gang in 1958. The piece has been the most musically symbolic retelling of the legend; at 25 minutes and 40 seconds long, it has now become a ...
In Korea, the story focuses on Jiknyeo, a weaver girl who falls in love with Gyeonwoo, a herder. In Japan, the story revolves around the romance between the deities, Orihime and Hikoboshi. In Vietnam, the story is known as Ngưu Lang Chức Nữ and revolves around the story of Chức Nữ, the weaver, and Ngưu Lang, the herder of buffalos.
In this story, a man named Xi Xuanzan (奚宣贊) meets a girl, her mother, and her grandmother; he falls in love with the mother — who is dressed in white — but the girl warns him that her mother has killed all her previous lovers. A Daoist exorcist exposes the mother as a white snake; her daughter is a black chicken and the grandmother an ...
The main protagonist of the story were Princess Lechang [] and her husband, Xu Deyan (徐德言). Their love story was not recorded in official historical annals, but was mentioned in the New Record of the Two Capitals (兩京新記, Liangjing xinji) written by Wei Shu (韋述) [1] and Poetry Stories (本事诗) by Meng Qi (孟啟).
Lady Meng Jiang or Meng Jiang Nü (Chinese: 孟姜女; pinyin: Mèng Jiāng Nǚ) is a Chinese tale with many variations. Later versions are set in the Qin dynasty , when Lady Meng Jiang's husband was pressed into service by imperial officials and sent as corvee labor to build the Great Wall of China .
The story is based on Poems of Hanshan and Shide composed by Lv Qiuyin. They were officially canonized as the God of Harmony and the God of Good Union in the first year of Yongzheng rule in the Qing dynasty. They are widely regarded as gods who bless love between husband and wife. [2]
During the stay, the maiden falls in love with Dong Yong. He is a poor worker who had sold himself into servitude to pay for his father's funeral. With help of the other fairies, the seventh fairy managed to weave ten pieces of brocade for Dong Yong to pay off his debt, shortening his indenture to 100 days.