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Maryland Public Television (MPT) is the PBS member state network for the U.S. state of Maryland. It operates under the auspices of the Maryland Public Broadcasting Commission , an agency of the Maryland state government that holds the licenses for all PBS member stations licensed in the state.
A retrospective on The Lawrence Welk Show was originally introduced as pledge drive material in 1987; its popularity prompted the OETA to acquire rerun rights to the series and distribute it through PBS. [5] A hallmark of pledge breaks is the "pledge room", where the speakers deliver their message as volunteering individuals answer ringing ...
Doo Wop 50 became the highest-producing pledge drive special in the history of PBS at that time, garnering more than $75 million for its member stations. The American Soundtrack/My Music series has become a mainstay for public tv stations, Lubinsky owns the copyright to the special and the American Soundtrack/My Music series.
American Public Television (APT) is an American nonprofit organization and syndicator of programming for public television stations in the United States. It distributes public television programs nationwide for PBS member stations and independent educational stations, as well as the Create and World television networks.
Distributed by PBS from 2005 to 2011: The 11th Hour: November 15, 1992: September 6, 2011 [934] [935] ITN World News for Public Television: November 2, 1998: December 31, 2001: Closer to Truth: April 2, 2000: April 1, 2005: Now distributed by PBS [936] The Power of Ideas: September 3, 2000: September 2, 2006 [937] Focus Asia: April 1, 2002 ...
The following is a list of programs currently or formerly distributed through the American PBS stations and other public television entities. Current programming 1 Syndicated to public television stations by the National Educational Telecommunications Association.
KETC is known among viewers in St. Louis for preempting PBS programs to air library program content or less controversial pledge drive programs [citation needed], such as WQED-produced doo-wop specials, using the default network feed in late night to premiere those PBS programs instead, though St. Louis has traditionally had stations, commercial and non-commercial, preempt programming from ...